This article begins by presenting some theories concerning the narrative structure concealed in tales, myths and rituals, as stated by some outstanding theorists as Greimas, Jung or Levi-Strauss. Once its confluences examined, it becomes possible to detect the existence of recurrent formulae within the deep semantic structure, thus revealing a scheme which may be generalized. This sort of study – namely narratology – along with its application in the domain of musical genres and works, constitutes the nucleus of the current investigative work of Marta Grabocz, who has kindly permitted as to publish this article, which is part of her book Musique, Narrativité, Signification, before its forthcoming release in France
This is the first book-length study of the narratology of film music, and an indispensable resource ...
As narratology provides approaches to musical semantics, it was adopted by scholarship on music and ...
International audienceFollowing Monika Fludernik’s frame for a “natural” narratology, we wish to dem...
The paper compares the term narrative as it is used by narratologists, and as it is used by music sc...
General narratology and the three forms of existence of narrative in music. Marta Grabocz. Translate...
When listeners talk about their listening experiences, they often refer to music as if it were a nar...
When listeners talk about their listening experiences, they often refer to music as if it were a nar...
Since Aristotle, there has been an assumption that narrative is a representation of actions or seque...
Narrative phenomena and their relation with electroacoustic music is a subject that is currently muc...
In recent years, narrative theory has been an influential model for many writers on music. Things in...
When listeners talk about their listening experiences, they often refer to music as if it were a nar...
This thesis develops a novel approach to hermeneutical popular song analysis through the application...
When listeners talk about their listening experiences, they often refer to music as if it were a nar...
Many music scholars share a belief in a deep-seated connection between music and language. This beli...
This article provides a brief discussion of the theoretical and historical underpinnings of the stud...
This is the first book-length study of the narratology of film music, and an indispensable resource ...
As narratology provides approaches to musical semantics, it was adopted by scholarship on music and ...
International audienceFollowing Monika Fludernik’s frame for a “natural” narratology, we wish to dem...
The paper compares the term narrative as it is used by narratologists, and as it is used by music sc...
General narratology and the three forms of existence of narrative in music. Marta Grabocz. Translate...
When listeners talk about their listening experiences, they often refer to music as if it were a nar...
When listeners talk about their listening experiences, they often refer to music as if it were a nar...
Since Aristotle, there has been an assumption that narrative is a representation of actions or seque...
Narrative phenomena and their relation with electroacoustic music is a subject that is currently muc...
In recent years, narrative theory has been an influential model for many writers on music. Things in...
When listeners talk about their listening experiences, they often refer to music as if it were a nar...
This thesis develops a novel approach to hermeneutical popular song analysis through the application...
When listeners talk about their listening experiences, they often refer to music as if it were a nar...
Many music scholars share a belief in a deep-seated connection between music and language. This beli...
This article provides a brief discussion of the theoretical and historical underpinnings of the stud...
This is the first book-length study of the narratology of film music, and an indispensable resource ...
As narratology provides approaches to musical semantics, it was adopted by scholarship on music and ...
International audienceFollowing Monika Fludernik’s frame for a “natural” narratology, we wish to dem...