Add to ORKGThis article analyses a talk given by the American art historian Meyer Schapiro in 1956 that was broadcast on BBC radio as a review of an exhibition at Tate Gallery titled Modern Art in the United States. It reveals that Schapiro’s broadcast was funded by the US State Department and argues that this unrecognised historical detail exposes a paradox about the relation between facts and values in art historical description
This essay is going to substantiate Seibert´s hypothesis that the MoMA-exhibition Prehistoric Rock P...
In the 1990s, Hal Foster observed that ethnographic or politicized art practices were diverging from...
United States must be viewed in the context of general cultural post-war directions. These direction...
When we think of a work of art, there are a multitude of images that may come to mind, all of which ...
This dissertation focuses on the art historical praxis of one of the most significant Euro-American ...
This article investigates the relationship between the philosophy of freedom and the history of art....
In the 1930s Meyer Schapiro introduced the modern painter Fernand Léger to a tenth-century Beatus ma...
Alice Neel, Portrait of Meyer Schapiro, 1947 Last month, a workshop that I organized on the Americ...
The three short essays which are the stuff of L’Art abstrait, republished by Carré as a homage to th...
In the spring of 1955 MoMA launched in Paris 50 Years of American Art a mammoth exhibition surveying...
This article explores the complicated history of Surrealism’s early reception in the United States, ...
What is the relationship between the philosophical concept of the “autonomy of art” and the cultural...
The museum exhibition, a medium in a state of change. The aim of the article is to present an overvi...
This dissertation examines the powerful role that museums played in constructing national art-histor...
The academy and the museum were once in an organic interdependent relation as legitimate institution...
This essay is going to substantiate Seibert´s hypothesis that the MoMA-exhibition Prehistoric Rock P...
In the 1990s, Hal Foster observed that ethnographic or politicized art practices were diverging from...
United States must be viewed in the context of general cultural post-war directions. These direction...
When we think of a work of art, there are a multitude of images that may come to mind, all of which ...
This dissertation focuses on the art historical praxis of one of the most significant Euro-American ...
This article investigates the relationship between the philosophy of freedom and the history of art....
In the 1930s Meyer Schapiro introduced the modern painter Fernand Léger to a tenth-century Beatus ma...
Alice Neel, Portrait of Meyer Schapiro, 1947 Last month, a workshop that I organized on the Americ...
The three short essays which are the stuff of L’Art abstrait, republished by Carré as a homage to th...
In the spring of 1955 MoMA launched in Paris 50 Years of American Art a mammoth exhibition surveying...
This article explores the complicated history of Surrealism’s early reception in the United States, ...
What is the relationship between the philosophical concept of the “autonomy of art” and the cultural...
The museum exhibition, a medium in a state of change. The aim of the article is to present an overvi...
This dissertation examines the powerful role that museums played in constructing national art-histor...
The academy and the museum were once in an organic interdependent relation as legitimate institution...
This essay is going to substantiate Seibert´s hypothesis that the MoMA-exhibition Prehistoric Rock P...
In the 1990s, Hal Foster observed that ethnographic or politicized art practices were diverging from...
United States must be viewed in the context of general cultural post-war directions. These direction...