Add to ORKGThis paper discusses two feminist-influenced collaborative art projects: London/LA Lab 1981 and Postal Art Event 1975–7. It reflects on how these art projects related to feminist politics and the organisation of the Women’s Liberation Movement in Britain and North America, specifically in relation to consciousness-raising
GENDER ALARM! was commissioned by La Centrale, Montreal’s first feminist artist-run art gallery, to ...
The position that feminist art holds within the art museum is complex and often contradictory. As Me...
grantor: University of TorontoThis study examines the relationship between the in surgent ...
This thesis offers a feminist reading of women’s art in Britain and North America in the 1970s. Thro...
Taking the Women's Weekend Conference held at Ruskin College, Oxford as my starting point, this thes...
This paper explores Griselda Pollock’s early work of the 1970s. It traces her development of feminis...
The 1970s saw collaboration and local, grass-roots activism become common in radical art in Britain....
Women's activity in the visual arts both in and outside of the art institutions of Europe and t...
The chapter examines the conditions for women's film and video practices in London in the early year...
The texts gathered in this volume embrace women artists-only exhibitions, festivals, collective art ...
Women\u27s activity in the visual arts both in and outside of the art institutions of Europe and the...
What makes art feminist art? There can be no essential feminist aesthetic, argues Kathy Battista...
The 1970s womens art movement is a foundational influence in transnational contemporary art. Develop...
"Feminist art and theoretical aspects of feminism are linked via a unique and reciprocal bond whose ...
The position that feminist art holds within the art museum is complex and often contradictory. As Me...
GENDER ALARM! was commissioned by La Centrale, Montreal’s first feminist artist-run art gallery, to ...
The position that feminist art holds within the art museum is complex and often contradictory. As Me...
grantor: University of TorontoThis study examines the relationship between the in surgent ...
This thesis offers a feminist reading of women’s art in Britain and North America in the 1970s. Thro...
Taking the Women's Weekend Conference held at Ruskin College, Oxford as my starting point, this thes...
This paper explores Griselda Pollock’s early work of the 1970s. It traces her development of feminis...
The 1970s saw collaboration and local, grass-roots activism become common in radical art in Britain....
Women's activity in the visual arts both in and outside of the art institutions of Europe and t...
The chapter examines the conditions for women's film and video practices in London in the early year...
The texts gathered in this volume embrace women artists-only exhibitions, festivals, collective art ...
Women\u27s activity in the visual arts both in and outside of the art institutions of Europe and the...
What makes art feminist art? There can be no essential feminist aesthetic, argues Kathy Battista...
The 1970s womens art movement is a foundational influence in transnational contemporary art. Develop...
"Feminist art and theoretical aspects of feminism are linked via a unique and reciprocal bond whose ...
The position that feminist art holds within the art museum is complex and often contradictory. As Me...
GENDER ALARM! was commissioned by La Centrale, Montreal’s first feminist artist-run art gallery, to ...
The position that feminist art holds within the art museum is complex and often contradictory. As Me...
grantor: University of TorontoThis study examines the relationship between the in surgent ...