The Collection of Historic Musical Instruments of the Kunsthistorisches Museum in Vienna (KHM) was founded during the First World War when the inventories of the collections owned by Archduke Franz Ferdinand of Austria-Este (1863-1914) went to the Imperial museum in Vienna after his assassination. From 1916/17 on, the renowned art historian Julius von Schlosser (1866-1938) and his successor, Hermann Julius Hermann (1869-1953), organized one of the most important collections and exhibitions exclusively dedicated to musical instruments. They assembled valuable items from the 16th century that had belonged to Archduke Ferdinand II’s (1529-1595) Cabinet of Curiosities, objects collected by members of the Obizzi dynasty in the castle of Catajo, ...
Deux volumes de Musique-Images-Instruments portent sur l'Histoire des collections d'instruments de m...
Deux volumes de Musique-Images-Instruments portent sur l'Histoire des collections d'instruments de m...
Whereas postwar musicology in Austria was largely dominated by one figure, Erich Schenk, the present...
The Collection of Historic Musical Instruments of the Kunsthistorisches Museum in Vienna (KHM) was f...
The Collection of Historic Musical Instruments of the Kunsthistorisches Museum in Vienna (KHM) was f...
The Collection of Historic Musical Instruments of the Kunsthistorisches Museum in Vienna (KHM) was f...
This article discusses the positioning of the new display of musical instruments, as part of the Imp...
The aim of this study is to elucidate the reasons and means to preserve and use historical musical i...
The aim of this study is to elucidate the reasons and means to preserve and use historical musical i...
Discussions concerning the establishment of a ‘House of History that would collect and exhibit ‘Aust...
International audienceAuch wenn bereits Michele Todoni (1616-1690) seine Sammlung in Rom öffentlich ...
International audienceAlthough the practice of early music in France was interrupted for some time b...
International audienceAlthough the practice of early music in France was interrupted for some time b...
Under the title Res Facta the Collection of Historic Musical Instrument arranged an educational acti...
The purpose of the research is to analyze the achievements of early Viennese classics through the hi...
Deux volumes de Musique-Images-Instruments portent sur l'Histoire des collections d'instruments de m...
Deux volumes de Musique-Images-Instruments portent sur l'Histoire des collections d'instruments de m...
Whereas postwar musicology in Austria was largely dominated by one figure, Erich Schenk, the present...
The Collection of Historic Musical Instruments of the Kunsthistorisches Museum in Vienna (KHM) was f...
The Collection of Historic Musical Instruments of the Kunsthistorisches Museum in Vienna (KHM) was f...
The Collection of Historic Musical Instruments of the Kunsthistorisches Museum in Vienna (KHM) was f...
This article discusses the positioning of the new display of musical instruments, as part of the Imp...
The aim of this study is to elucidate the reasons and means to preserve and use historical musical i...
The aim of this study is to elucidate the reasons and means to preserve and use historical musical i...
Discussions concerning the establishment of a ‘House of History that would collect and exhibit ‘Aust...
International audienceAuch wenn bereits Michele Todoni (1616-1690) seine Sammlung in Rom öffentlich ...
International audienceAlthough the practice of early music in France was interrupted for some time b...
International audienceAlthough the practice of early music in France was interrupted for some time b...
Under the title Res Facta the Collection of Historic Musical Instrument arranged an educational acti...
The purpose of the research is to analyze the achievements of early Viennese classics through the hi...
Deux volumes de Musique-Images-Instruments portent sur l'Histoire des collections d'instruments de m...
Deux volumes de Musique-Images-Instruments portent sur l'Histoire des collections d'instruments de m...
Whereas postwar musicology in Austria was largely dominated by one figure, Erich Schenk, the present...