Iconographical analysis shows that the Cabinet of Pictures (Windsor Castle, RoyalCollection) clearly exemplifies the cooperation between only two painters: Jacob de Formentrou and Erasmus II Quellinus. Iconographic research also confirms that these artists depicted connoisseurs in this painting. Several elements (the eagle, the judgement of Salomon, etc) refer to connoisseurship: the depicted connoisseurs evaluate, from an intellectual point of view, the authorship of paintings based on stylistic characteristics. The act of attributing the paintings is the central theme in the Cabinet of Pictures, as is highlighted by multiple signatures, monograms andiconographic details
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The article examines Daniel Mytens’s portrait of Thomas Howard, Earl of Arundel, and the pendant por...
Chapman, H. PerryIn the first half of the seventeenth century, the Dutch painter Gerrit van Honthors...
Guillam van Haecht the Younger’s The cabinet of Cornelis van der Geest (1628; hereafter The cabinet)...
This article examines the long overlooked representation of the ‘art lover’, or liefhebber, in the a...
The Antwerp-invented genre of the painted Collector’s Cabinet meant that painters played a key role ...
The display of art was central to the Antwerp-invented genre of the painted Collector’s Cabinet. The...
This thesis examines the evolution of connoisseurship before and after the exhibition ‘Art Treasures...
The Flemish painter Anthony Van Dyck extended his preoccupation with portraiture into the printed me...
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(version française ci-dessous) Barthélemy d'Eyck, Detail of a full-page miniature of a Memento Mori...
The Eckhout-paintings and the Royal Danish Cabinet of Curiosities In the year 1654 the Dutch prince,...
Paintings, drawings, prints, maps, jewels, gems, statuettes, medals, exotica, antiquities, dried ani...
Portraits of Amalia van Solms, wife of Frederik Hendrik of Orange-Nassau and one of the most signifi...
The castle in Telc is one of the few buildings in the Czech republic whose interiors from the second...
Vanwijnsberghe Dominique. Hélène Mund, Cyriel Stroo, Nicole Goetghebeur, avec la collab. de Hans Nie...
The article examines Daniel Mytens’s portrait of Thomas Howard, Earl of Arundel, and the pendant por...
Chapman, H. PerryIn the first half of the seventeenth century, the Dutch painter Gerrit van Honthors...
Guillam van Haecht the Younger’s The cabinet of Cornelis van der Geest (1628; hereafter The cabinet)...
This article examines the long overlooked representation of the ‘art lover’, or liefhebber, in the a...
The Antwerp-invented genre of the painted Collector’s Cabinet meant that painters played a key role ...
The display of art was central to the Antwerp-invented genre of the painted Collector’s Cabinet. The...
This thesis examines the evolution of connoisseurship before and after the exhibition ‘Art Treasures...
The Flemish painter Anthony Van Dyck extended his preoccupation with portraiture into the printed me...
This dissertation investigates the ontology of the Flemish “gallery painting” genre by focusing on i...
(version française ci-dessous) Barthélemy d'Eyck, Detail of a full-page miniature of a Memento Mori...
The Eckhout-paintings and the Royal Danish Cabinet of Curiosities In the year 1654 the Dutch prince,...
Paintings, drawings, prints, maps, jewels, gems, statuettes, medals, exotica, antiquities, dried ani...
Portraits of Amalia van Solms, wife of Frederik Hendrik of Orange-Nassau and one of the most signifi...
The castle in Telc is one of the few buildings in the Czech republic whose interiors from the second...
Vanwijnsberghe Dominique. Hélène Mund, Cyriel Stroo, Nicole Goetghebeur, avec la collab. de Hans Nie...
The article examines Daniel Mytens’s portrait of Thomas Howard, Earl of Arundel, and the pendant por...
Chapman, H. PerryIn the first half of the seventeenth century, the Dutch painter Gerrit van Honthors...