The paper is a survey of research on music in territories of occupied Poland conducted by the author in recent years, as well as a review of selected existing literature on this topic. A case study illustrates a principal thesis of this essay according to which music was used by the German Nazis in the General Government as a key elements of propaganda and in appropriation of conquered territories as both physical and symbolic spaces
Although the Nazi party in Germany used music to promote their propaganda, the social impact of musi...
The article presents the conclusions of the research conducted by the author in the collection of th...
Although the Holocaust (1933-1945) can be described as humanity’s greatest atrocity, music composed ...
The following is an in-depth analysis of the use of music as propaganda in Germany's Third Reich. Th...
Includes bibliographical references (p. 71-72).The intention of this study was to examine the musica...
no abstract --- JSTOR link to article (restricted access) https://www.jstor.org/stable/2431819
Until very recently, music has often been considered as an art form which stands outside and above p...
Katedra německých a rakouských studiíDepartment of German and Austrian StudiesFaculty of Social Scie...
W pracy scharakteryzowano jawne życie muzyczne skierowanej do publiczności polskiej w Krakowie okupo...
When the Second World War ended, Germany embarked on a period of heightened reconstruction. Along wi...
This publication looks at musical life in Latvia during two periods of its occupation in the early 1...
The political control of music in the Third Reich has been analysed from several perspectives, and w...
Music played a prominent role in the rise of Nazi culture in Germany and was used extensively in pro...
The article presents the conclusion of the research conducted by the author in the collection of the...
The article presents the conclusion of the research conducted by the author in the collection of the...
Although the Nazi party in Germany used music to promote their propaganda, the social impact of musi...
The article presents the conclusions of the research conducted by the author in the collection of th...
Although the Holocaust (1933-1945) can be described as humanity’s greatest atrocity, music composed ...
The following is an in-depth analysis of the use of music as propaganda in Germany's Third Reich. Th...
Includes bibliographical references (p. 71-72).The intention of this study was to examine the musica...
no abstract --- JSTOR link to article (restricted access) https://www.jstor.org/stable/2431819
Until very recently, music has often been considered as an art form which stands outside and above p...
Katedra německých a rakouských studiíDepartment of German and Austrian StudiesFaculty of Social Scie...
W pracy scharakteryzowano jawne życie muzyczne skierowanej do publiczności polskiej w Krakowie okupo...
When the Second World War ended, Germany embarked on a period of heightened reconstruction. Along wi...
This publication looks at musical life in Latvia during two periods of its occupation in the early 1...
The political control of music in the Third Reich has been analysed from several perspectives, and w...
Music played a prominent role in the rise of Nazi culture in Germany and was used extensively in pro...
The article presents the conclusion of the research conducted by the author in the collection of the...
The article presents the conclusion of the research conducted by the author in the collection of the...
Although the Nazi party in Germany used music to promote their propaganda, the social impact of musi...
The article presents the conclusions of the research conducted by the author in the collection of th...
Although the Holocaust (1933-1945) can be described as humanity’s greatest atrocity, music composed ...