This paper addresses the comic routine of Australian born U.S. comedian Gregg Turkington’s alter-ego, ‘Neil Hamburger’, from the perspective of Aristotle’s ancient conception of the risible as a species of the unacceptable, or the unseemly. In doing so, it explores two thresholds of acceptability, subjective and social, which are relevant to an understanding of Hamburger’s comic style. The paper argues that Hamburger’s style willfully violates those thresholds, risking the audience’s laughter, and yet working towards the visualization of a less normative kind of ‘unseemliness’ that underlies Hamburger’s politics: reverence for celebrity and the sacred
Taboo words are the primary notion in this study. There are two objectives of this study, which are ...
How to do things with jokes: Speech acts in standup comedyIn How to Do Things with Words (1962), the...
Among incidences of everyday racism, offensive jokes are writ large as a way of establishing and mai...
This paper addresses the comic routine of Australian born U.S. comedian Gregg Turkington's alter-ego...
This paper addresses the comic routine of Australian born U.S. comedian Gregg Turkington’s alter-ego...
This paper addresses the comic routine of Australian born U.S. comedian Gregg Turkington’s alter-ego...
The primary objective of this paper is to describe humour strategies frequently employed by comedian...
Political correctness is a phenomenon causing numerous debates due to its controversial nature, wit...
Comedy has long been analysed from a pragmatic perspective with the predictable conclusion that we l...
This essay undertakes an exploration of Trevor Griffiths’ Comedians to delineate the socio-cultural,...
We live in a world that witnesses an ongoing war between an entitled audience and, for th...
This thesis interprets the craft of stand-up comedy as a senes of manipulations. In a medium where i...
Establishing a decisive nexus between gender, laughter, and media, this article not only critically ...
From Basil Fawlty, The Little Tramp and Frank Spencer; to Jim Carey, Andy Kaufman and Rowan Atkinson...
We tend to take the phenomenon of humour for granted, seeing it for the most part as something innat...
Taboo words are the primary notion in this study. There are two objectives of this study, which are ...
How to do things with jokes: Speech acts in standup comedyIn How to Do Things with Words (1962), the...
Among incidences of everyday racism, offensive jokes are writ large as a way of establishing and mai...
This paper addresses the comic routine of Australian born U.S. comedian Gregg Turkington's alter-ego...
This paper addresses the comic routine of Australian born U.S. comedian Gregg Turkington’s alter-ego...
This paper addresses the comic routine of Australian born U.S. comedian Gregg Turkington’s alter-ego...
The primary objective of this paper is to describe humour strategies frequently employed by comedian...
Political correctness is a phenomenon causing numerous debates due to its controversial nature, wit...
Comedy has long been analysed from a pragmatic perspective with the predictable conclusion that we l...
This essay undertakes an exploration of Trevor Griffiths’ Comedians to delineate the socio-cultural,...
We live in a world that witnesses an ongoing war between an entitled audience and, for th...
This thesis interprets the craft of stand-up comedy as a senes of manipulations. In a medium where i...
Establishing a decisive nexus between gender, laughter, and media, this article not only critically ...
From Basil Fawlty, The Little Tramp and Frank Spencer; to Jim Carey, Andy Kaufman and Rowan Atkinson...
We tend to take the phenomenon of humour for granted, seeing it for the most part as something innat...
Taboo words are the primary notion in this study. There are two objectives of this study, which are ...
How to do things with jokes: Speech acts in standup comedyIn How to Do Things with Words (1962), the...
Among incidences of everyday racism, offensive jokes are writ large as a way of establishing and mai...