Add to ORKGThe article scientifically substantiates the features of avant-garde art that is aimed at finding synesthesian community of art languages and aesthetic transformation of reality. It identifies the main features of the Russian avant-garde composers Mikhail Matyushin’s and Alexander Mosolov’s experimental creativity. It is proved that the dominant feature of their work is the creation of a new model of art that brings together all types of human exposure and returns the fullness of perception and cognition
The article reveals the relation between aesthetics and politics in the new Soviet State by analyzin...
The volume presents the author's works focused on various aspects of Russian modernism in literature...
Introduction. Interest in the work of avant-garde artists does not wane as they move away from the 2...
Avant-garde became a global cultural phenomenon of the 20th century, essentially symbolizing the epo...
The urgency of turning to the philosophical foundations of the formation of avant-garde stage synthe...
The article is devoted to the development processes of modern musical theatre, rendered activate due...
This article is devoted to identifying the features of the synthesis of verbal and visual principles...
Russian modernist experiments in sensory communication include the interplay of sound and light in A...
Soviet cultural politics was completely determined in the 1930s and remained unchangeable almost unt...
The article discusses the early period (1928-1932) in the development of the first national organiza...
This paper is focused on a relatively new phenomenon: joint performances by poets and avant-garde (p...
Au lendemain de la Révolution, on observe en Russie l’apparition de nombreux groupes d’avant-garde q...
Dvizhenie (1962-1976) Experimental formation of the group and its presentation outside the USSR Abst...
This article considers ideas about the nature and function of music, instances of musical performanc...
The new-born world of Socialism in 1917 wanted to break with tradition and find complete freedom of ...
The article reveals the relation between aesthetics and politics in the new Soviet State by analyzin...
The volume presents the author's works focused on various aspects of Russian modernism in literature...
Introduction. Interest in the work of avant-garde artists does not wane as they move away from the 2...
Avant-garde became a global cultural phenomenon of the 20th century, essentially symbolizing the epo...
The urgency of turning to the philosophical foundations of the formation of avant-garde stage synthe...
The article is devoted to the development processes of modern musical theatre, rendered activate due...
This article is devoted to identifying the features of the synthesis of verbal and visual principles...
Russian modernist experiments in sensory communication include the interplay of sound and light in A...
Soviet cultural politics was completely determined in the 1930s and remained unchangeable almost unt...
The article discusses the early period (1928-1932) in the development of the first national organiza...
This paper is focused on a relatively new phenomenon: joint performances by poets and avant-garde (p...
Au lendemain de la Révolution, on observe en Russie l’apparition de nombreux groupes d’avant-garde q...
Dvizhenie (1962-1976) Experimental formation of the group and its presentation outside the USSR Abst...
This article considers ideas about the nature and function of music, instances of musical performanc...
The new-born world of Socialism in 1917 wanted to break with tradition and find complete freedom of ...
The article reveals the relation between aesthetics and politics in the new Soviet State by analyzin...
The volume presents the author's works focused on various aspects of Russian modernism in literature...
Introduction. Interest in the work of avant-garde artists does not wane as they move away from the 2...