First paragraph: LOCAL AND GLOBAL DOMAINS: ‘SCOTTISH’ FILM AND TELEVISION? The concepts of ‘Scottish’ film and ‘Scottish’ television provoke challenging questions about what constitutes the national dimension in culture. Attributions of national character bring complications, about history, society and culture, as well as economics, politics and psychology. This is why they tend to produce debate or dissent more often than consensus. Film and television extend further an older argument about the local traits of cultural output, such as literature and painting
Since approval was given via a referendum in 1997 for the advent of the Scottish Parliament, the ben...
Since approval was given via a referendum in 1997 for the advent of the Scottish Parliament, the ben...
[First paragraph of introduction:] This study explores the meaning of Britishness as it has been def...
First paragraph: LOCAL AND GLOBAL DOMAINS: ‘SCOTTISH’ FILM AND TELEVISION? The concepts of ‘Scottish...
First paragraph: In an article in the Scottish cultural magazine, The Drouth, Mark Cousins provocati...
First paragraph: A central idea in current film historiography is that “the experience of cine...
First paragraph: A central idea in current film historiography is that “the experience of cine...
is a fascinating inquiry into the nature of contemporary Scottish cinema. In this study, Martin-Jone...
Given the burgeoning levels of film production in Scotland post-1990, it is tempting, as with any em...
This thesis examines questions of the continued significance of national cinemas and identities, foc...
First paragraph: In his introduction to the groundbreaking 1986 edited collection All Our Yesterdays...
First paragraph: Avant-garde practices in Scotland have often been overshadowed by the dominance of ...
First paragraph: Avant-garde practices in Scotland have often been overshadowed by the dominance of ...
Since approval was given via a referendum in 1997 for the advent of the Scottish Parliament, the ben...
What is your favourite fantasy Scotland? Perhaps you enjoyed Whisky Galore! or Brigadoon, or maybe T...
Since approval was given via a referendum in 1997 for the advent of the Scottish Parliament, the ben...
Since approval was given via a referendum in 1997 for the advent of the Scottish Parliament, the ben...
[First paragraph of introduction:] This study explores the meaning of Britishness as it has been def...
First paragraph: LOCAL AND GLOBAL DOMAINS: ‘SCOTTISH’ FILM AND TELEVISION? The concepts of ‘Scottish...
First paragraph: In an article in the Scottish cultural magazine, The Drouth, Mark Cousins provocati...
First paragraph: A central idea in current film historiography is that “the experience of cine...
First paragraph: A central idea in current film historiography is that “the experience of cine...
is a fascinating inquiry into the nature of contemporary Scottish cinema. In this study, Martin-Jone...
Given the burgeoning levels of film production in Scotland post-1990, it is tempting, as with any em...
This thesis examines questions of the continued significance of national cinemas and identities, foc...
First paragraph: In his introduction to the groundbreaking 1986 edited collection All Our Yesterdays...
First paragraph: Avant-garde practices in Scotland have often been overshadowed by the dominance of ...
First paragraph: Avant-garde practices in Scotland have often been overshadowed by the dominance of ...
Since approval was given via a referendum in 1997 for the advent of the Scottish Parliament, the ben...
What is your favourite fantasy Scotland? Perhaps you enjoyed Whisky Galore! or Brigadoon, or maybe T...
Since approval was given via a referendum in 1997 for the advent of the Scottish Parliament, the ben...
Since approval was given via a referendum in 1997 for the advent of the Scottish Parliament, the ben...
[First paragraph of introduction:] This study explores the meaning of Britishness as it has been def...