This analysis of Caché/Hidden(Michael Haneke, 2005) examines how the film's depiction of a world of material privilege corroded by psychic unease opens up broader questions of the political deployment of fear and paranoid fantasy, and the dishonesities and displacements of postcolonialism
Histories of rooms, artefacts and spaces of the domestic interior tend to include patterns of inhabi...
The home is central to the Western imaginary. It is of foundational importance to the shaping of ide...
“…What is denied or repressed in a lapse of memory does not disappear; it returns in a transformed, ...
This analysis of Caché/Hidden(Michael Haneke, 2005) examines how the film's depiction of a world of ...
In his 2005 French production Hidden (Caché), Michael Haneke continues disturbing his audience with ...
Michael Haneke’s film Caché (Hidden) (2005) explores the psychological and social effects of the int...
Michael Hanekeʼs 2005 film Caché (Hidden) reversed a racialised gaze: the whiteFrench bourgeoisie ar...
This article considers the figure of Majid in Michael Haneke's Caché (2005) and the cinematic struct...
I am apt enough to think I have in treating of this subject made some suppositions that will look st...
This work originated in a fascination with Caché/Hidden (haneke, 2005) for its portrayal of the pres...
Caché/Hidden (2005) stands out in Michael Haneke�s filmography as a most accomplished synthesis of a...
The current fear surrounding New Terror is the fear of the unimaginable, the non-Reasonable. It is a...
This article explores the norms, spaces, positions and conditions of visibility for non-white refuge...
Across all genres, television communicates a host of perceived dangers or risks to human survival as...
This thesis examines the increasing centrality of surveillance devices, themes and concepts from var...
Histories of rooms, artefacts and spaces of the domestic interior tend to include patterns of inhabi...
The home is central to the Western imaginary. It is of foundational importance to the shaping of ide...
“…What is denied or repressed in a lapse of memory does not disappear; it returns in a transformed, ...
This analysis of Caché/Hidden(Michael Haneke, 2005) examines how the film's depiction of a world of ...
In his 2005 French production Hidden (Caché), Michael Haneke continues disturbing his audience with ...
Michael Haneke’s film Caché (Hidden) (2005) explores the psychological and social effects of the int...
Michael Hanekeʼs 2005 film Caché (Hidden) reversed a racialised gaze: the whiteFrench bourgeoisie ar...
This article considers the figure of Majid in Michael Haneke's Caché (2005) and the cinematic struct...
I am apt enough to think I have in treating of this subject made some suppositions that will look st...
This work originated in a fascination with Caché/Hidden (haneke, 2005) for its portrayal of the pres...
Caché/Hidden (2005) stands out in Michael Haneke�s filmography as a most accomplished synthesis of a...
The current fear surrounding New Terror is the fear of the unimaginable, the non-Reasonable. It is a...
This article explores the norms, spaces, positions and conditions of visibility for non-white refuge...
Across all genres, television communicates a host of perceived dangers or risks to human survival as...
This thesis examines the increasing centrality of surveillance devices, themes and concepts from var...
Histories of rooms, artefacts and spaces of the domestic interior tend to include patterns of inhabi...
The home is central to the Western imaginary. It is of foundational importance to the shaping of ide...
“…What is denied or repressed in a lapse of memory does not disappear; it returns in a transformed, ...
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