ON THE POLARIZATION OF CREATIVE CONSCIOUSNESS IN NON-CLASSICAL ERA OF RUSSIAN LITERATURE

<p>The article deals with the phenomenon of "branch" of the total flow of philosophical and aesthetic quest in Russian postsimbolism in the early 20th century and the implications of this polarization in the literary process in the following decades. Special attention is paid to the specifics of the non-classical consciousness, an important feature of which is the intention of the "targeting" of artistic expression. The main lines of development of Russian literature in the 20th century are briefly described. The subject of primary attention of the author are mental peculiarities, features of creative thinking inherited in individuals of every from ideological and artistic "vectors", forming a common paradigm of national literature in the non-classical era. The understanding the specifics of the "middle" line of creative research, defined by the concept of "neotraditionalism" becomes the center of the problem field in the article. In understanding and presentation of the essence of the neotraditional type of creative consciousness author moves into the mainstream, a paved by work of V.I. Tyupa, who proposed in the early 90s as the term itself, taken now adopted by many scientists and methodological principles of neotraditionalism identification as a special type of mental orientation in art.