This paper is an investigation of the Melbourne Recital Centre as a case study to define the parameters necessary for good acoustical quality as it relates to the Binaural Quality Index and determining the intimacy of the hall by its initial time delay gap. The Melbourne Recital Centre, designed by Ashton Raggatt McDougall Architects, is a significant case study, as its design was driven by the acoustic requirements of reflection and diffusion through Odeon Acoustical Software. It achieves the same acoustical quality of older, ornately designed shoebox concert halls, from the perspective of contemporary design and fabrication tools and techniques. The sleek design of the Melbourne Recital Centre successfully reflects sound waves in low, mid...
ISO 3382-1 describes a number of objective room acoustics parameters that are generally accepted as ...
Open-air ancient theatres represent non-standard spaces from the point of view of room acoustics. Th...
The Chopin concert hall’s shape takes account of classical forms: starting the design from a shoebox...
This paper is an investigation of the Melbourne Recital Centre as a case study to define the paramet...
A new lightweight recital hall of volume 800m3 with a capacity an audience of 100 people has recentl...
Lighting and stage facilities in concert hall are not as complicated as opera house, but the acousti...
See also: Acoustics in architectural design : an annotated bibliography on architectural acoustics.W...
Acoustics are important performance criteria for architecture, however, architects rarely consider t...
This report describes the development of a multifunctional building and the research that supports t...
Highly appreciated concert halls have their own acoustic signature. These signatures may not often b...
Technical Research Essay (Undergrad) -- University of Melbourne, Faculty of Architectur
This thesis studies the acoustics of a 793 seat multi-use theater. The theater is a fan shaped hall ...
The main aim of this paper is to identify how acoustics where generally achieve in auditoriums base ...
[EN] Producing a formal means for ranking the quality of concert halls requires that the subjective ...
2013-11-26This thesis examines the potential for parametric design software to create performance ba...
ISO 3382-1 describes a number of objective room acoustics parameters that are generally accepted as ...
Open-air ancient theatres represent non-standard spaces from the point of view of room acoustics. Th...
The Chopin concert hall’s shape takes account of classical forms: starting the design from a shoebox...
This paper is an investigation of the Melbourne Recital Centre as a case study to define the paramet...
A new lightweight recital hall of volume 800m3 with a capacity an audience of 100 people has recentl...
Lighting and stage facilities in concert hall are not as complicated as opera house, but the acousti...
See also: Acoustics in architectural design : an annotated bibliography on architectural acoustics.W...
Acoustics are important performance criteria for architecture, however, architects rarely consider t...
This report describes the development of a multifunctional building and the research that supports t...
Highly appreciated concert halls have their own acoustic signature. These signatures may not often b...
Technical Research Essay (Undergrad) -- University of Melbourne, Faculty of Architectur
This thesis studies the acoustics of a 793 seat multi-use theater. The theater is a fan shaped hall ...
The main aim of this paper is to identify how acoustics where generally achieve in auditoriums base ...
[EN] Producing a formal means for ranking the quality of concert halls requires that the subjective ...
2013-11-26This thesis examines the potential for parametric design software to create performance ba...
ISO 3382-1 describes a number of objective room acoustics parameters that are generally accepted as ...
Open-air ancient theatres represent non-standard spaces from the point of view of room acoustics. Th...
The Chopin concert hall’s shape takes account of classical forms: starting the design from a shoebox...