When Sannazaro decides to set his pastoral romance in Arcadia, the region is not yet a privileged vehicle of pastoral. He chooses it on the basis of the ambivalent vision of Arcadia offered by Boccaccio’s Ninfale d’Ameto and Genealogie deorum gentilium rather than Virgil’s work. For Boccaccio, Arcadia is a locus amoenus suitable for a quiet withdrawal from public life, but also a locus horribilis to be fled, a source of civilisation and, at the same time, a land of slyness and thieves
In several of his works, Boccaccio dedicates a whole chapter to the queen of Carthage: we meet Dido ...
explains how by the opening days of the sixteenth century, romance became chivalric in Spain and cou...
AbstractAgainst Arcadia: English Mock-Pastoral and Mock-Georgic, 1660-1740by Brad Quentin BoydDoctor...
En las églogas de Virgilio es la Arcadia un elemento no menor, pero limitado. Schmidt considera que ...
En las églogas de Virgilio es la Arcadia un elemento no menor, pero limitado. Schmidt considera que ...
International audienceDuring the Trecento, Petrarca and Boccaccio wrote pastoral poetry collections,...
The objective of this bachelor thesis "Boccaccio's Pastorals" is to introduce two works of an Italia...
Looking at two descriptions of landscape in Lucan’s Bellum Civile (the sacred grove near Massilia an...
<p>In the reception history of Virgil’s <i>Eclogues</i>, few concepts are so tightly bound up with t...
The present article aims to present Boccaccio’s Buccolicum carmen as a main work in his latin produc...
This paper aims at investigating the relationship between the "Angevin" Dante's commentators (Giovan...
The ‘News-sheets of Parnassus’ (Venice 1612-1613) by Traiano Boccalini are a political satire in whi...
Il contributo verte sul rapporto tra la genesi delle Pastorali boiardesche e quella dell'Arcadia di ...
This short essay deals with the literary treatment of the site and image of Naples in Giovanni Bocca...
\u27Et in Arcadia ego\u27 is a phrase coined by Virgil and used in 17th century Italy expressing, in...
In several of his works, Boccaccio dedicates a whole chapter to the queen of Carthage: we meet Dido ...
explains how by the opening days of the sixteenth century, romance became chivalric in Spain and cou...
AbstractAgainst Arcadia: English Mock-Pastoral and Mock-Georgic, 1660-1740by Brad Quentin BoydDoctor...
En las églogas de Virgilio es la Arcadia un elemento no menor, pero limitado. Schmidt considera que ...
En las églogas de Virgilio es la Arcadia un elemento no menor, pero limitado. Schmidt considera que ...
International audienceDuring the Trecento, Petrarca and Boccaccio wrote pastoral poetry collections,...
The objective of this bachelor thesis "Boccaccio's Pastorals" is to introduce two works of an Italia...
Looking at two descriptions of landscape in Lucan’s Bellum Civile (the sacred grove near Massilia an...
<p>In the reception history of Virgil’s <i>Eclogues</i>, few concepts are so tightly bound up with t...
The present article aims to present Boccaccio’s Buccolicum carmen as a main work in his latin produc...
This paper aims at investigating the relationship between the "Angevin" Dante's commentators (Giovan...
The ‘News-sheets of Parnassus’ (Venice 1612-1613) by Traiano Boccalini are a political satire in whi...
Il contributo verte sul rapporto tra la genesi delle Pastorali boiardesche e quella dell'Arcadia di ...
This short essay deals with the literary treatment of the site and image of Naples in Giovanni Bocca...
\u27Et in Arcadia ego\u27 is a phrase coined by Virgil and used in 17th century Italy expressing, in...
In several of his works, Boccaccio dedicates a whole chapter to the queen of Carthage: we meet Dido ...
explains how by the opening days of the sixteenth century, romance became chivalric in Spain and cou...
AbstractAgainst Arcadia: English Mock-Pastoral and Mock-Georgic, 1660-1740by Brad Quentin BoydDoctor...