This articles explores the explosion of artistic production in the Arab world during the so-called Arab Spring. Focusing on music, poetry, theatre, and graffiti and related visual arts, I explore how these “do-it-yourself” scenes represent, at least potentially, a “return of the aura” to the production of culture at the edge of social and political transformation. At the same time, the struggle to retain a revolutionary grounding in the wake of successful counter-revolutionary moves highlights the essentially “religious” grounding of “committed” art at the intersection of intense creativity and conflict across the Arab world
Graffiti, a tool for change Bahia Shehab for translating emotions during the Egyptian revolution, ar...
Graffiti, a tool for change Bahia Shehab for translating emotions during the Egyptian revolution, ar...
Graffiti, a tool for change Bahia Shehab for translating emotions during the Egyptian revolution, ar...
This articles explores the explosion of artistic production in the Arab world during the so-called A...
Addressing the question of how neoliberal ideology has served to conflate the radical left with extr...
International audienceSince 2011, the art of the Arab uprisings has been the subject of much scholar...
In “Cultures of Resistance in Palestine and Beyond: The Politics of Art, Aesthetics, and Affect,” So...
The Arab World uprisings inspired a wide range of creative expression. Activists, protesters and art...
The Arab World uprisings inspired a wide range of creative expression. Activists, protesters and art...
Politics is regarded as a science for it tells us what to do, when it deals with measurable concepts...
Art and revolution have always commingled. Often, periods of social upheaval are also periods of pr...
Rather than considering protest art as singularly revolutionary, disruptive,or unsettling to establi...
Rather than considering protest art as singularly revolutionary, disruptive,or unsettling to establi...
Rather than considering protest art as singularly revolutionary, disruptive,or unsettling to establi...
Art and revolution have always commingled. Often, periods of social upheaval are also periods of pr...
Graffiti, a tool for change Bahia Shehab for translating emotions during the Egyptian revolution, ar...
Graffiti, a tool for change Bahia Shehab for translating emotions during the Egyptian revolution, ar...
Graffiti, a tool for change Bahia Shehab for translating emotions during the Egyptian revolution, ar...
This articles explores the explosion of artistic production in the Arab world during the so-called A...
Addressing the question of how neoliberal ideology has served to conflate the radical left with extr...
International audienceSince 2011, the art of the Arab uprisings has been the subject of much scholar...
In “Cultures of Resistance in Palestine and Beyond: The Politics of Art, Aesthetics, and Affect,” So...
The Arab World uprisings inspired a wide range of creative expression. Activists, protesters and art...
The Arab World uprisings inspired a wide range of creative expression. Activists, protesters and art...
Politics is regarded as a science for it tells us what to do, when it deals with measurable concepts...
Art and revolution have always commingled. Often, periods of social upheaval are also periods of pr...
Rather than considering protest art as singularly revolutionary, disruptive,or unsettling to establi...
Rather than considering protest art as singularly revolutionary, disruptive,or unsettling to establi...
Rather than considering protest art as singularly revolutionary, disruptive,or unsettling to establi...
Art and revolution have always commingled. Often, periods of social upheaval are also periods of pr...
Graffiti, a tool for change Bahia Shehab for translating emotions during the Egyptian revolution, ar...
Graffiti, a tool for change Bahia Shehab for translating emotions during the Egyptian revolution, ar...
Graffiti, a tool for change Bahia Shehab for translating emotions during the Egyptian revolution, ar...