Add to ORKGThis article aims to contextualize the main currents in the interpretation of medieval images, underlining to appearance of an original matrix of thought, thinking through art, between 1950 and 2000. At the heart of the new épistémè, the concept of image-presence is put forward and it is discussed on the basis of three examples dated between the year 1000 and c. 1450 and through and interdisciplinary dialogue with social anthropology and the philosophy science
During the Middle Ages, images had to be tied to the truth. Otherwise, they were considered idols. A...
This book presents a study of material images and asks how an appreciation of the making and unfoldi...
This paper answers the question: Was there heretic images during the Middle Ages? On the one hand, i...
By according equal importance to theoretical accounts of vision and cultural practices of seeing, th...
This paper seeks to frame the importance of \u2018imaginative culture\u2019 during the Middle ages. ...
This article traces the development of art from the Renaissance to contemporary media practice. It l...
As a consequence of its own history, the discipline devoted to the study of art has established comp...
Este artigo propõe situar as principais correntes de leitura da imagem na arte medieval e sublinha a...
How were the relations among image, imagination and cognition characterized in the period 1500 – 180...
It has been persuasively argued that before the fifteenth century the category of art as a theorized...
International audienceThis article aims to put the notion of “bimediality” in perspective with the v...
The purpose of this work is to study the visual and acoustic relationship of painting and music in t...
Facing the mediatic image's crushing power in contemporary societies, can we conceive the locus of i...
The resources used for teaching at medieval universities became increasingly enriched by pictorial m...
International audienceThis paper explores new research paths about visual culture of Western Middle ...
During the Middle Ages, images had to be tied to the truth. Otherwise, they were considered idols. A...
This book presents a study of material images and asks how an appreciation of the making and unfoldi...
This paper answers the question: Was there heretic images during the Middle Ages? On the one hand, i...
By according equal importance to theoretical accounts of vision and cultural practices of seeing, th...
This paper seeks to frame the importance of \u2018imaginative culture\u2019 during the Middle ages. ...
This article traces the development of art from the Renaissance to contemporary media practice. It l...
As a consequence of its own history, the discipline devoted to the study of art has established comp...
Este artigo propõe situar as principais correntes de leitura da imagem na arte medieval e sublinha a...
How were the relations among image, imagination and cognition characterized in the period 1500 – 180...
It has been persuasively argued that before the fifteenth century the category of art as a theorized...
International audienceThis article aims to put the notion of “bimediality” in perspective with the v...
The purpose of this work is to study the visual and acoustic relationship of painting and music in t...
Facing the mediatic image's crushing power in contemporary societies, can we conceive the locus of i...
The resources used for teaching at medieval universities became increasingly enriched by pictorial m...
International audienceThis paper explores new research paths about visual culture of Western Middle ...
During the Middle Ages, images had to be tied to the truth. Otherwise, they were considered idols. A...
This book presents a study of material images and asks how an appreciation of the making and unfoldi...
This paper answers the question: Was there heretic images during the Middle Ages? On the one hand, i...