Add to ORKGFine Arts Unternehnem Books in collaboration with ARTRA, are pleased to present this new book by Jemima Stehli (born 1961) and John Hilliard (born 1945) are artists living and working in London. Between 2001 and 2003 they produced a series of collaborative photographic works that are the subject of this book, contextualised by related pieces made individually both before and after the collaboration. The book includes texts by Mark Frances, Simon Baker and Giorgio Verzotti
This Working Paper is a re-print of the introductory chapter of the monograph ‘Art and Modern Copyri...
This paper will propose that that the artist’s book is capable of carrying an academic argument in a...
This accessible and innovative book examines to what extent copyright protects a range of subjects w...
‘The Artists' Book as Collaborative Practice’ was a keynote illustrated lecture presented at the 'TH...
This paper will propose that that the artists’s book is capable of carrying an academic argument in ...
Dunseath, J and Wilsher, M, eds. (2016) Artist boss: Anthony Caro's studio assistants and issues of ...
There is a renewed interest in the relationship of photography and the artist’s book, both as a work...
By invitation from John Court, Haptic is one of two texts that respond to John Courts endurance draw...
Book synopsis: An in-depth guide to the collaborative projects by a duo of groundbreaking artists, L...
This is an artists’ book, published by Singular Publishing to coincide with a two-person exhibition ...
This sole-author book is a critical examination of the phenomenon of contemporary art photography. I...
Contribution of new work to PRINTed International Artist book fair and exhibition at EINA University...
Artists' Books in UC Collections: A Scoping Study, undertaken as part of the University of Canterbu...
How to read an artists' book: Artists' books are generally intended to be viewed as works of art. Si...
What will be the canon for the artist’s book in the 21st Century? In an arena that now includes both...
This Working Paper is a re-print of the introductory chapter of the monograph ‘Art and Modern Copyri...
This paper will propose that that the artist’s book is capable of carrying an academic argument in a...
This accessible and innovative book examines to what extent copyright protects a range of subjects w...
‘The Artists' Book as Collaborative Practice’ was a keynote illustrated lecture presented at the 'TH...
This paper will propose that that the artists’s book is capable of carrying an academic argument in ...
Dunseath, J and Wilsher, M, eds. (2016) Artist boss: Anthony Caro's studio assistants and issues of ...
There is a renewed interest in the relationship of photography and the artist’s book, both as a work...
By invitation from John Court, Haptic is one of two texts that respond to John Courts endurance draw...
Book synopsis: An in-depth guide to the collaborative projects by a duo of groundbreaking artists, L...
This is an artists’ book, published by Singular Publishing to coincide with a two-person exhibition ...
This sole-author book is a critical examination of the phenomenon of contemporary art photography. I...
Contribution of new work to PRINTed International Artist book fair and exhibition at EINA University...
Artists' Books in UC Collections: A Scoping Study, undertaken as part of the University of Canterbu...
How to read an artists' book: Artists' books are generally intended to be viewed as works of art. Si...
What will be the canon for the artist’s book in the 21st Century? In an arena that now includes both...
This Working Paper is a re-print of the introductory chapter of the monograph ‘Art and Modern Copyri...
This paper will propose that that the artist’s book is capable of carrying an academic argument in a...
This accessible and innovative book examines to what extent copyright protects a range of subjects w...
