The article tries to question the premises of the critical subject. Is critique, understood as a subjective judgement, still possible, or have we reached a medial and political situation where this is no longer an option? The article turns to Horkheimer and Adorno and confronts their ideal of a critical theory with the criticism directed to it from Peter Sloterdijk. Somehow the critical thinking which the Frankfurt School inaugurated seems to have taken two directions today: either a cynical, resigned one, or an activist one. The article argues that both may be understood as attempts to preserve the subject, in the same way as Adorno was accused of by Sloterdijk. In that perspective, the possibility of critique may appear to be non-existent...