Add to ORKGRace is generally conceptualized in purely visual terms, white and black. But it has a sonic dimension as well. Through the lens of the Voice in American popular music, the development of this racialized sound is explored.College of William and Mary, Roy C. Charles Center, Sharpe Community Scholars Progra
This study's purpose was to examine the effects of black and white listeners ' and perform...
The New York Times 1619 Project materials on American popular culture were presented to college stud...
Restricted until 2 July 2009."The Contours of the Sonic Color-line: Slavery, Segregation, and the Cu...
In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might see...
In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might seem nat...
In this dissertation I examine the production of race through sound in general and vocal timbre in p...
Vocal timbre is commonly believed to be an unmanipulable attribute, akin to a sonic fingerprint.1 Be...
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This project examines the rac...
Largely stripped of literacy from the 17th century to Reconstruction in the United States, the aural...
This analysis investigates the influence of contemporary African-American spoken word in developing ...
Critical Race Theory is a lens that people can use to understand American politics. This lens can he...
Examines racial and gendered dimensions of voice in American culture, showing how vocal sound helps ...
The topic of popular music in the United States has garnered much analysis from scholars, particular...
Can a gospel choir made up of more White singers than Black create authentic gospel music? This proj...
This dissertation examines sound, and its embodied articulation through music and movement, as I con...
This study's purpose was to examine the effects of black and white listeners ' and perform...
The New York Times 1619 Project materials on American popular culture were presented to college stud...
Restricted until 2 July 2009."The Contours of the Sonic Color-line: Slavery, Segregation, and the Cu...
In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might see...
In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might seem nat...
In this dissertation I examine the production of race through sound in general and vocal timbre in p...
Vocal timbre is commonly believed to be an unmanipulable attribute, akin to a sonic fingerprint.1 Be...
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This project examines the rac...
Largely stripped of literacy from the 17th century to Reconstruction in the United States, the aural...
This analysis investigates the influence of contemporary African-American spoken word in developing ...
Critical Race Theory is a lens that people can use to understand American politics. This lens can he...
Examines racial and gendered dimensions of voice in American culture, showing how vocal sound helps ...
The topic of popular music in the United States has garnered much analysis from scholars, particular...
Can a gospel choir made up of more White singers than Black create authentic gospel music? This proj...
This dissertation examines sound, and its embodied articulation through music and movement, as I con...
This study's purpose was to examine the effects of black and white listeners ' and perform...
The New York Times 1619 Project materials on American popular culture were presented to college stud...
Restricted until 2 July 2009."The Contours of the Sonic Color-line: Slavery, Segregation, and the Cu...