As discussed in the previous installment of this five-part series, A Strange Centennial, lawyers and non-lawyers alike have often parroted the refrain that U.S. copyright does not apply to articles of fashion design. The American legal system's actual treatment of fashion articles is far more nuanced. If pressed for an accurate generalization, one might reasonably state that certain components of fashion design are copyright-eligible, but even those elements tend to receive less consistent and robust protection than that accorded to most other types of "artistic" or "expressive" works under the law
This is the first of two articles that study the complex interactions of the differeent branches of ...
In copyright law, the marriage of beauty and utility often proves fraught. Domestic and internationa...
This writing begs to answer the ninety-year-old question of whether or not fashion designs should be...
Between 1914 and 1916, the United States Congress saw the first serious round of lobbying by advocat...
In order to be copyright-eligible, a component of fashion design must be not only "fixed" and "origi...
For as long as copyright protection has existed in the United States, protection has never expressly...
The fashion industry does not need special, protective legislation. Laws are already in place that c...
Copyright protection in the fashion industry is currently the focus of intense debate in the United ...
Throughout America history, our legal system has tended to overlook the fashion industry. While trad...
For many decades, the preferred route to protection against imitators of original designs has been a...
In the year 2015 alone, the United States fashion industry generated over $343 billion in revenue. F...
Intellectual property distinguishes a protected work’s aesthetic value from its functionality. In so...
The Innovative Design Protection & Piracy Prevention Act of 2011 (“IDPPPA”) crafts a sui generis for...
Fashion designers have struggled to establish their works as expressions that qualify for copyright ...
The current low-IP regime in the United States fails to provide adequate protection for fashion desi...
This is the first of two articles that study the complex interactions of the differeent branches of ...
In copyright law, the marriage of beauty and utility often proves fraught. Domestic and internationa...
This writing begs to answer the ninety-year-old question of whether or not fashion designs should be...
Between 1914 and 1916, the United States Congress saw the first serious round of lobbying by advocat...
In order to be copyright-eligible, a component of fashion design must be not only "fixed" and "origi...
For as long as copyright protection has existed in the United States, protection has never expressly...
The fashion industry does not need special, protective legislation. Laws are already in place that c...
Copyright protection in the fashion industry is currently the focus of intense debate in the United ...
Throughout America history, our legal system has tended to overlook the fashion industry. While trad...
For many decades, the preferred route to protection against imitators of original designs has been a...
In the year 2015 alone, the United States fashion industry generated over $343 billion in revenue. F...
Intellectual property distinguishes a protected work’s aesthetic value from its functionality. In so...
The Innovative Design Protection & Piracy Prevention Act of 2011 (“IDPPPA”) crafts a sui generis for...
Fashion designers have struggled to establish their works as expressions that qualify for copyright ...
The current low-IP regime in the United States fails to provide adequate protection for fashion desi...
This is the first of two articles that study the complex interactions of the differeent branches of ...
In copyright law, the marriage of beauty and utility often proves fraught. Domestic and internationa...
This writing begs to answer the ninety-year-old question of whether or not fashion designs should be...