International audienceNuclear accidents have prompted the creation of numerous cultural objects such as novels, films, cartoons, or posters. Here we show what these objects can teach us about the social representations of nuclear power. The object is both a product and a representation. It can influence attitudes and partially contributes to the cognitive context of controversy about atomic power. Consequently, it leads to diverse practices defined by the interests and goals of the groups that own it. French documentaries on Fukushima Daiichi constitute a coherent corpus that makes it possible to identify both ruptures and continuity in the story that is told. These films borrow from the symbols, myths, and analogies provoked by Chernobyl t...
The atomic bombs of Hiroshima and Nagasaki and the defeat in World War II are traumas that have mark...
The award-winning picture book Sagashite imasu (2012) was published in response to 3/11. It combines...
Chapter in an edited volume, Eyes and Gazes in Philosophy and Arts, eds. Giuseppe Patella and Atsush...
International audienceNuclear accidents have prompted the creation of numerous cultural objects such...
Atomic metaphors permeated daily life as the world reacted to the atomic bombings of Japan and the n...
International audienceThe mythology surrounding atomic power, which makes reference to its omnipoten...
In the aftermath of the accident at the Fukushima nuclear power plants in Japan on March 11 2011, on...
The atomic bombings of Hiroshima and Nagasaki on 6 August and 9 August 1945, respectively, marked an...
International audienceRepresentations of the nuclear industry in European countries play a determini...
For centuries, Japanese culture has attracted the interest of foreign scholars of different discipli...
This paper, originally written for Dr. Adamus Liotta in an honors chemistry class, explores the poss...
Eight years after “3/11,” Japan is still coming to terms with the human, environmental, and economic...
In Luxembourg, nuclear power stations have been part of literary imaginary since the end of the 1970...
293 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2004.This study is an analysis of ...
The presented article revolves around the widespread debate on the Fukushima catastrophe in Japanese...
The atomic bombs of Hiroshima and Nagasaki and the defeat in World War II are traumas that have mark...
The award-winning picture book Sagashite imasu (2012) was published in response to 3/11. It combines...
Chapter in an edited volume, Eyes and Gazes in Philosophy and Arts, eds. Giuseppe Patella and Atsush...
International audienceNuclear accidents have prompted the creation of numerous cultural objects such...
Atomic metaphors permeated daily life as the world reacted to the atomic bombings of Japan and the n...
International audienceThe mythology surrounding atomic power, which makes reference to its omnipoten...
In the aftermath of the accident at the Fukushima nuclear power plants in Japan on March 11 2011, on...
The atomic bombings of Hiroshima and Nagasaki on 6 August and 9 August 1945, respectively, marked an...
International audienceRepresentations of the nuclear industry in European countries play a determini...
For centuries, Japanese culture has attracted the interest of foreign scholars of different discipli...
This paper, originally written for Dr. Adamus Liotta in an honors chemistry class, explores the poss...
Eight years after “3/11,” Japan is still coming to terms with the human, environmental, and economic...
In Luxembourg, nuclear power stations have been part of literary imaginary since the end of the 1970...
293 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2004.This study is an analysis of ...
The presented article revolves around the widespread debate on the Fukushima catastrophe in Japanese...
The atomic bombs of Hiroshima and Nagasaki and the defeat in World War II are traumas that have mark...
The award-winning picture book Sagashite imasu (2012) was published in response to 3/11. It combines...
Chapter in an edited volume, Eyes and Gazes in Philosophy and Arts, eds. Giuseppe Patella and Atsush...