We describe a computational model of rhythmic cognition that predicts expected onset times. A dynamic representation of musical rhythm, the multiresolution analysis using the continuous wavelet transform is used. This representation decomposes the temporal structure of a musical rhythm into time varying frequency components in the rhythmic frequency range (sample rate of 200Hz). Both expressive timing and temporal structure (score times) contribute in an integrated fashion to determine the temporal expectancies. Future expected times are computed using peaks in the accumulation of time-frequency ridges. This accumulation at the edge of the analysed time window forms a dynamic expectancy. We evaluate this model using data sets of expressivel...
This thesis studies musical anticipation, both as a process and design principle for applications in...
This thesis studies musical anticipation, both as a process and design principle for applications in...
With Western, tonal music, the expectedness of any given note or chord can be estimated using variou...
We describe a computational model of rhythmic cognition that pre-dicts expected onset times. A dynam...
A dynamic representation of musical rhythm, the multireso-lution analysis using the continuous wavel...
A dynamic representation of musical rhythm, the multireso-lution analysis using the continuous wavel...
A method is described that exhaustively represents the periodicities created by a musical rhythm. Th...
A method is described that exhaustively represents the periodicities created by a musical rhythm. Th...
Contains fulltext : 74721.pdf (publisher's version ) (Open Access)A definition is ...
This study explores the rules regulating the formation of temporal expectancies when we listen to a ...
The research presented is based on the study of music, the study of mind and the study of machine. M...
When presented with complex rhythmic auditory stimuli, humans are able to track underlying temporal ...
This thesis investigates rhythm perception using computational modeling techniques. It develops a se...
Pulse is the base timing to which western music is commonly notated, generally expressed by a listen...
We develop in this thesis a computational model of music expectation, which may be one of the most i...
This thesis studies musical anticipation, both as a process and design principle for applications in...
This thesis studies musical anticipation, both as a process and design principle for applications in...
With Western, tonal music, the expectedness of any given note or chord can be estimated using variou...
We describe a computational model of rhythmic cognition that pre-dicts expected onset times. A dynam...
A dynamic representation of musical rhythm, the multireso-lution analysis using the continuous wavel...
A dynamic representation of musical rhythm, the multireso-lution analysis using the continuous wavel...
A method is described that exhaustively represents the periodicities created by a musical rhythm. Th...
A method is described that exhaustively represents the periodicities created by a musical rhythm. Th...
Contains fulltext : 74721.pdf (publisher's version ) (Open Access)A definition is ...
This study explores the rules regulating the formation of temporal expectancies when we listen to a ...
The research presented is based on the study of music, the study of mind and the study of machine. M...
When presented with complex rhythmic auditory stimuli, humans are able to track underlying temporal ...
This thesis investigates rhythm perception using computational modeling techniques. It develops a se...
Pulse is the base timing to which western music is commonly notated, generally expressed by a listen...
We develop in this thesis a computational model of music expectation, which may be one of the most i...
This thesis studies musical anticipation, both as a process and design principle for applications in...
This thesis studies musical anticipation, both as a process and design principle for applications in...
With Western, tonal music, the expectedness of any given note or chord can be estimated using variou...