Cultuurberichtgeving in een tijdperk van globalisering

This article aims at charting and elucidating key developments and cross-national variations in the coverage given to foreign and indigenous cultural products (classical and popular music, dance, film, literature, theater, television fiction, and visual arts) in American, Dutch, French, and German newspapers between 1955 and 2005. Using content analysis, it is first explored to what extent the explosive growth of international cultural traffic in the second half of the twentieth century has been accompanied by increased newspaper coverage of foreign arts and culture in the four countries under study. Second, the article examines the assumption that the degree and direction of international orientation differs among countries according to their size, the centrality of their cultural production or their production in particular cultural fields, and their cultural policy framework. Third, the article qualifies the evolving patterns of dominance in the international orientation of arts journalism in each country, in terms of countries and regions represented in arts and culture coverage