This article addresses artivism in Vikram Gandhi's 2011 documentary film Kumaré: The True Story of a False Prophet. The documentary tells the story of the fake guru Kumaré (played by Gandhi) who sets out to prove that spiritual leaders are illusions and that the power of self-transformation lies within the individual. Gandhi's intention of revealing the illusory quality of representation in religion forms the more conventional artivist arc of the documentary. The documentary's self-help narrative is, however, challenged by the filmmaking process that creates an unexpected relational field extending well beyond Gandhi's intentions. The article elaborates on unintentional relationality through the notion of fabulation and argues for an ethics...
This paper, which contrasts Rajkumar Hirani’s Lage Raho Munna Bhai (2006) with Richard Attenborough’...
This is an extract from a Masters study describing my exploration of the art of film as an inner awa...
Beginning with Christian Metz’s observation that even supposedly non-narrative films ... are governe...
This article addresses artivism in Vikram Gandhi's 2011 documentary film Kumaré: The True Story of a...
The article addresses the Iranian documentary film Salaam Cinema's overt meditation on power and dis...
Abstract: This paper proposes to examine the representation of Gandhi in the visual narrations, as a...
This Article examines the 1982 film Gandhi. Although it took factual liberties with Gandhi\u27s life...
Understanding Indian documentary film as aesthetic practice and as a set of historical traditions ha...
The paper is analyzing how people in late modern society characterized by de-traditionalization, use...
This paper examines the benefits of ethnographic film for the study of religion. It argues that the ...
This chapter examines multimodal and transmedia practices of storytelling among organized atheist ac...
Mohandas Karamchand “Mahatma” Gandhi is known worldwide for his nonviolent fight to attain India’s i...
Swadhyaya and the Chinmaya Mission are two rapidly growing modern Indian religious movements that ha...
When James Cameron’s epic film, Avatar, was released in 2009, it was the highest-grossing film of al...
The aim of this study is to investigate how divine worlds can be created, vitalized, and lived by pe...
This paper, which contrasts Rajkumar Hirani’s Lage Raho Munna Bhai (2006) with Richard Attenborough’...
This is an extract from a Masters study describing my exploration of the art of film as an inner awa...
Beginning with Christian Metz’s observation that even supposedly non-narrative films ... are governe...
This article addresses artivism in Vikram Gandhi's 2011 documentary film Kumaré: The True Story of a...
The article addresses the Iranian documentary film Salaam Cinema's overt meditation on power and dis...
Abstract: This paper proposes to examine the representation of Gandhi in the visual narrations, as a...
This Article examines the 1982 film Gandhi. Although it took factual liberties with Gandhi\u27s life...
Understanding Indian documentary film as aesthetic practice and as a set of historical traditions ha...
The paper is analyzing how people in late modern society characterized by de-traditionalization, use...
This paper examines the benefits of ethnographic film for the study of religion. It argues that the ...
This chapter examines multimodal and transmedia practices of storytelling among organized atheist ac...
Mohandas Karamchand “Mahatma” Gandhi is known worldwide for his nonviolent fight to attain India’s i...
Swadhyaya and the Chinmaya Mission are two rapidly growing modern Indian religious movements that ha...
When James Cameron’s epic film, Avatar, was released in 2009, it was the highest-grossing film of al...
The aim of this study is to investigate how divine worlds can be created, vitalized, and lived by pe...
This paper, which contrasts Rajkumar Hirani’s Lage Raho Munna Bhai (2006) with Richard Attenborough’...
This is an extract from a Masters study describing my exploration of the art of film as an inner awa...
Beginning with Christian Metz’s observation that even supposedly non-narrative films ... are governe...