This article analyses the professional ethos and practices of television buyers in France, Italy, Poland and the Netherlands. During interviews and ethnographic observations, the professional ethos of this ‘cosmopolitan tribe’ proved to be remarkably similar across national backgrounds. This article discusses the relation between personal taste and professional ethos in television buying, pointing to specific forms of ‘cosmopolitan capital’ central to this process. Moreover, it develops a typology of buyers, each type representing a different solution to the tensions between culture and economy, consumption and production and national and transnational inherent in transnational cultural mediation. This analysis of the practices of transnati...
Locating Television: Zones of Consumption takes an important next step for television studies: it ac...
Zones of Consumption takes an important next step for television studies: it acknowledges the growin...
This study examines who speaks to cultural value in the world market for television, what criteria a...
This article analyzes cultural globalization as the emergence of a transnational cultural field, int...
The paper re-conceptualizes cultural intermediaries as shapers of “emerging cultural capital” (Prieu...
This article provides an introduction to, and makes a case for, cultural intermediaries as an entry ...
Our research analyzes the international market for exported television. As a culture industry it is ...
Several authors in contemporary cultural consumption research have argued that the traditional axis ...
Various media allow people to build transnational networks, learn about the world and meet people fr...
In the contemporary global societies, mass media are set on the intersection of several social chang...
There is much debate surrounding the nature and underlying causes of cosmopolitanism. Authors differ...
The transnationalization of television production has been examined by studies on formats and multin...
This text examines certain questions relating to the theme of metropolitan cosmopolitanism, focusing...
The increasing internationalisation of cultural industries, including television, is a salient topic...
This book offers comparative studies of the production, content, distribution and reception of film ...
Locating Television: Zones of Consumption takes an important next step for television studies: it ac...
Zones of Consumption takes an important next step for television studies: it acknowledges the growin...
This study examines who speaks to cultural value in the world market for television, what criteria a...
This article analyzes cultural globalization as the emergence of a transnational cultural field, int...
The paper re-conceptualizes cultural intermediaries as shapers of “emerging cultural capital” (Prieu...
This article provides an introduction to, and makes a case for, cultural intermediaries as an entry ...
Our research analyzes the international market for exported television. As a culture industry it is ...
Several authors in contemporary cultural consumption research have argued that the traditional axis ...
Various media allow people to build transnational networks, learn about the world and meet people fr...
In the contemporary global societies, mass media are set on the intersection of several social chang...
There is much debate surrounding the nature and underlying causes of cosmopolitanism. Authors differ...
The transnationalization of television production has been examined by studies on formats and multin...
This text examines certain questions relating to the theme of metropolitan cosmopolitanism, focusing...
The increasing internationalisation of cultural industries, including television, is a salient topic...
This book offers comparative studies of the production, content, distribution and reception of film ...
Locating Television: Zones of Consumption takes an important next step for television studies: it ac...
Zones of Consumption takes an important next step for television studies: it acknowledges the growin...
This study examines who speaks to cultural value in the world market for television, what criteria a...