In many laboratory setups and in many day-to-day situations, a unique solution of the structure-from-two-views problem is unobtainable. Yet, when the visual system is presented with two projections in a sequence, it nevertheless appears to generate a reasonably stable percept of structure. In the research reported here, we examined whether the same surface would be perceived when subjects were presented with a pair of views that alternated in time monocularly (two-frame motion) or were shown simultaneously to both eyes (stereo). In Experiment 1, we studied slant perception: human observers were asked to match the slant of a motion-induced planar surface with its stereo-induced counterpart. In Experiment 2, the perceived curvature of parabol...
Humans make systematic errors in the 3D interpretation of the optic flow in both passive and active ...
Contains fulltext : 90338.pdf (publisher's version ) (Open Access)Sinusoidal motio...
AbstractMotion parallax provides cues to the three-dimensional layout of a viewed scene and, in part...
Motivation. Recent evidence suggests that extra-retinal signals play an important role in the percep...
AbstractBinocular rivalry is an intriguing phenomenon: when different images are displayed to the tw...
Gradients of absolute binocular disparity across a slanted surface are often considered the basis fo...
Structure-from-motion studies have shown that the perceived slant of a local planar patch is (1) an ...
Observers' perceptions of a male and a female torso were investigated using monocular and stereoscop...
We examined how much depth we perceive when viewing a depiction of a slanted plane in which binocula...
This paper examines and contrasts motion-parallax analogues of the induced-size and induced-shear ef...
Abstract-Experiments are reported that involved spatial judgments of planar surfaces that had contra...
Motion parallax provides cues to the three-dimensional layout of a viewed scene and, in particular, ...
Humans make systematic errors in the 3D interpretation of the optic flow in both passive and active ...
AbstractThe results of several experiments demonstrate that the estimated magnitude of perceived sla...
Stereoscopic slant perception around a vertical axis (horizontal slant) is often found to be strongl...
Humans make systematic errors in the 3D interpretation of the optic flow in both passive and active ...
Contains fulltext : 90338.pdf (publisher's version ) (Open Access)Sinusoidal motio...
AbstractMotion parallax provides cues to the three-dimensional layout of a viewed scene and, in part...
Motivation. Recent evidence suggests that extra-retinal signals play an important role in the percep...
AbstractBinocular rivalry is an intriguing phenomenon: when different images are displayed to the tw...
Gradients of absolute binocular disparity across a slanted surface are often considered the basis fo...
Structure-from-motion studies have shown that the perceived slant of a local planar patch is (1) an ...
Observers' perceptions of a male and a female torso were investigated using monocular and stereoscop...
We examined how much depth we perceive when viewing a depiction of a slanted plane in which binocula...
This paper examines and contrasts motion-parallax analogues of the induced-size and induced-shear ef...
Abstract-Experiments are reported that involved spatial judgments of planar surfaces that had contra...
Motion parallax provides cues to the three-dimensional layout of a viewed scene and, in particular, ...
Humans make systematic errors in the 3D interpretation of the optic flow in both passive and active ...
AbstractThe results of several experiments demonstrate that the estimated magnitude of perceived sla...
Stereoscopic slant perception around a vertical axis (horizontal slant) is often found to be strongl...
Humans make systematic errors in the 3D interpretation of the optic flow in both passive and active ...
Contains fulltext : 90338.pdf (publisher's version ) (Open Access)Sinusoidal motio...
AbstractMotion parallax provides cues to the three-dimensional layout of a viewed scene and, in part...