The graphic work of Otacílio Camilo : reproduction and remembrance of images

For the present paper, I have examined two pieces by artist Otacílio Camilo. These were chosen from a large ensemble of woodcuts, all of which presented in the same format of around 3x4 cm. The purpose of this paper is to analyze the way in which these two pieces take possession of images stemming from industrial means of reproduction and from the culture industry’s imaginary and take advantage of an “anachronistic” medium in order to provoke perceptions regarding the reproductive nature of these images and the collective memory