Reflection on the Artistic Philosophy of Friedrich Nietzsche

Friedrich Nietzsche je vrlo dojmljiva osoba suvremene filozofije. Njegova misao usmjerena je na kritiku europskog čovjeka oblikovanog metafizičkim naslijeđem. S druge strane, on pokušava, u vlastitom suočavanju sa zbiljnošću, donijeti novu perspektivu mišljenja. Ono se u intuitivnom ophođenju sa svijetom želi ozbiljiti po uzoru na umjetnički zadatak. Cilj je filozofa iskristalizirati svoju umjetničku bit, pri čemu stvaralački mora postaviti nove vrijednosti. Iznimna neprozirnost Nietzscheova djela, filozofije koja se više skriva negoli otkriva, onemogućuje sustavni prikaz njegova filozofijskog opusa. Razlog tomu jest Nietzscheov upravo nesustavni i pjesnički neiskaziv odnos sa zbiljnošću u skladu s razmatranjem nemogućnosti njezina oblikovanja pojmovnim kategorijama koje bi se istinito odnosile na njezinu bit. Svjestan nemogućnosti oslonca na metafiziku, kojoj je pripisao jedino moralistički i vrijednosno-sustavni odnos sa svijetom, pokušava Nietzsche iznijeti diskurs budućeg razumijevanja u znaku intuitivnog prepoznavanja i opravdanosti paradoksa koji se nalazi u heraklitovskoj biti života, čime ujedno iznalazi umjetničku potvrdu života kao velebne igre gradeće-razarajućeg pra-temelja.Friedrich Nietzsche is a very impressive figure of modern philosophy. His thought is directed to the critique of the European man shaped by a metaphysical heritage. On the other hand, he tries, in his own confrontation with reality, to bring a new perspective of philosophical thought. In its intuitive approaching of the world it intends to actualize itself as an artistic task. The goal of the philosopher is to crystallize his artistic being wherein he must creatively set new values. The considerable vagueness of Nietzsches’s work, a philosophy that hides more than it reveals, makes it almost impossible to represent his philosophical opus in an organic way. The reason for this is just Nietzsche’s unsystematic and poetically unutterable relation to reality in accordance with the consideration of the impossibility of formulating it in conceptual categories that would really refer to its essence. Aware of the impossibility of relying on metaphysics, to which Nietzsche attributed only a moralistic and value- systematic relationship with the world, he tries to introduce the discourse of future understanding in the form of intuitive recognition and justification of the paradox lying in the heraclitean essence of life, in which he, at the same time, grounds the artistic confirmation of life as a grandiose game of construction and devastation of the primordial ground