Slow technology is…in part a reaction against the impulses toward instantaneity afforded by digital technology. This paper explores the slow work of a contemporary ‘analogue’ painter in the context of current research enquiry into digital art, authenticity and value. A group of artists were recruited to take part in in depth interviews conducted in their studios. The paper describes the artist’s resolutely non digital practice and outlines a concept design for a ‘slow print’ based on his work
In this paper we explore the opportunities of slowness through moving images. We take our propositio...
This presentation was both an illustrated lecture and a published paper presented at the IMPACT 9 C...
This paper reports findings from a qualitative study of a group of artists in the North of England. ...
This paper reports findings from a qualitative study of a group of artists in the North of England. ...
This short paper draws from and compares two projects involving the authors in which digital and ana...
This paper examines, from the perspective of a critically engaged practioner within the context of c...
The Centre for Fine Print Research in Bristol UK undertakes research into print technologies from th...
Slow knowledge in design thinking and practice has potential to create value in organisations outsid...
The paper reflects on three approaches to the dissemination and display of digital art. \'1c"s[editi...
The paper reports on the growing phenomena of art-making on mobile devices and contributes findings ...
3D printing’s rapid technological development is starting to impact the art field because, for the f...
The article discusses the curatorial premise and collaborative studio practices behind the Just Pres...
In this paper Ooi described her experience of working with digital technologies as an integral part ...
This research explores the use of hand printed surfaces upon digital prints with the aim of creating...
This paper reports on experience design work currently in progress. “Wet Pixels” is intended to stim...
In this paper we explore the opportunities of slowness through moving images. We take our propositio...
This presentation was both an illustrated lecture and a published paper presented at the IMPACT 9 C...
This paper reports findings from a qualitative study of a group of artists in the North of England. ...
This paper reports findings from a qualitative study of a group of artists in the North of England. ...
This short paper draws from and compares two projects involving the authors in which digital and ana...
This paper examines, from the perspective of a critically engaged practioner within the context of c...
The Centre for Fine Print Research in Bristol UK undertakes research into print technologies from th...
Slow knowledge in design thinking and practice has potential to create value in organisations outsid...
The paper reflects on three approaches to the dissemination and display of digital art. \'1c"s[editi...
The paper reports on the growing phenomena of art-making on mobile devices and contributes findings ...
3D printing’s rapid technological development is starting to impact the art field because, for the f...
The article discusses the curatorial premise and collaborative studio practices behind the Just Pres...
In this paper Ooi described her experience of working with digital technologies as an integral part ...
This research explores the use of hand printed surfaces upon digital prints with the aim of creating...
This paper reports on experience design work currently in progress. “Wet Pixels” is intended to stim...
In this paper we explore the opportunities of slowness through moving images. We take our propositio...
This presentation was both an illustrated lecture and a published paper presented at the IMPACT 9 C...
This paper reports findings from a qualitative study of a group of artists in the North of England. ...