The work is an artists’ profile of Jacob Lehrer published in dancewest, the WA edition of the Australian Dance Council magazine. Lehrer is a leading independent dancer and choreographer. It draws on my case study of Lehrer to show how embodied knowledge and physical sensation inform his current choreographic process, and the transmission of this knowledge. As a dancer and researcher I use archival, field research and self-reflection to ask: how do we make creative processes explicit when they’re embedded in apparently-intuitive improvisational studio processes
The article reviews the book "Exhausting Dance: Performance and the Politics of Movement,"...
The narrative of knowledge is almost always underpinned by the cognitive but how we know the world i...
This article aims to draw the reader into an interdisciplinary conversation between the co-authors a...
Background: The work is an artists’ profile of Claudia Alessi published in dancewest, the WA edition...
Background: The work is an artists’ profile of Michael Whaites published in dancewest, the WA editio...
This research is situated in the field of practice-led research investigating embodied perspectives ...
The work is an artists’ profile of Chrissie Parrott, a choreographer of international standing, publ...
During my MFA Studies at Simon Fraser University, I conducted and presented research on dance via a ...
This paper investigates certain philosophical implications of asking a dance artist for an account o...
How does a choreographer begin with a simple idea and arrive at a performed piece? This presentation...
Practice-led or multi modal theses (describing examinable outcomes of postgraduate study which compr...
The impetus for the present research comes from questions that arose in projects of collaborative wr...
The project I am presenting is a series of improvisational dance works that I have edited together i...
I initially focused my attention on the ideas, traces, and material that emerged during process, all...
This paper explores the concept that individual dancers leave traces in a choreographer’s body of wo...
The article reviews the book "Exhausting Dance: Performance and the Politics of Movement,"...
The narrative of knowledge is almost always underpinned by the cognitive but how we know the world i...
This article aims to draw the reader into an interdisciplinary conversation between the co-authors a...
Background: The work is an artists’ profile of Claudia Alessi published in dancewest, the WA edition...
Background: The work is an artists’ profile of Michael Whaites published in dancewest, the WA editio...
This research is situated in the field of practice-led research investigating embodied perspectives ...
The work is an artists’ profile of Chrissie Parrott, a choreographer of international standing, publ...
During my MFA Studies at Simon Fraser University, I conducted and presented research on dance via a ...
This paper investigates certain philosophical implications of asking a dance artist for an account o...
How does a choreographer begin with a simple idea and arrive at a performed piece? This presentation...
Practice-led or multi modal theses (describing examinable outcomes of postgraduate study which compr...
The impetus for the present research comes from questions that arose in projects of collaborative wr...
The project I am presenting is a series of improvisational dance works that I have edited together i...
I initially focused my attention on the ideas, traces, and material that emerged during process, all...
This paper explores the concept that individual dancers leave traces in a choreographer’s body of wo...
The article reviews the book "Exhausting Dance: Performance and the Politics of Movement,"...
The narrative of knowledge is almost always underpinned by the cognitive but how we know the world i...
This article aims to draw the reader into an interdisciplinary conversation between the co-authors a...