Brief essay which discusses the works of four artists shown in the Everything and Nothing exhibition, and places them in an historical, cultural, technological and artistic lineage. Note: At the time of writing, Dave Colangelo was affiliated with N/A, an art and design collective dedicated to project and event‐based cross‐pollination
Peripheries are profoundly ambiguous regions. While trying to build a relationship with the center, ...
A group exhibition of four artists, curated by Edward Chell and shown during January 2016 with fundi...
This essay looks at the role of transatlanticism in the early work of the conceptual art collective ...
This exhibition investigates the various materials involved in artistic production through a focus ...
The multidisciplinary artisti team Snæbjörnsdóttir/Wilson discuss art as a tool of disruption and me...
This was a series of five exhibitions discussing movements in contemporary painting involving thirte...
Art is in itself meaningless; the significant thing to consider is the social formation and how it i...
Curated by Ele Carpenter and Graham Gussin, the exhibition ‘NOTHING’ showed how artists from the 196...
One and One and One is a group exhibition in two parts: One and One and One, CGP Gallery, London, Se...
Catalogue for a group exhibition co-curated by Garvey and Metcalfe. Garvey refers to the six artists...
exhibition essay 'Some Notes on Nothing, and the Silence of Works of Art.' Chisenhale Gallery, Lo...
A exhibition catalogue essay on the work of Artist Nicola Donovan.The essay was the result of a numb...
The Archive of Nothingness (AON) addresses the connections between art and graphic design; their pre...
This exhibition project investigates the various materials involved in artistic production through a...
Includes bibliographical references.This essay discusses the history and influences of my senior exh...
Peripheries are profoundly ambiguous regions. While trying to build a relationship with the center, ...
A group exhibition of four artists, curated by Edward Chell and shown during January 2016 with fundi...
This essay looks at the role of transatlanticism in the early work of the conceptual art collective ...
This exhibition investigates the various materials involved in artistic production through a focus ...
The multidisciplinary artisti team Snæbjörnsdóttir/Wilson discuss art as a tool of disruption and me...
This was a series of five exhibitions discussing movements in contemporary painting involving thirte...
Art is in itself meaningless; the significant thing to consider is the social formation and how it i...
Curated by Ele Carpenter and Graham Gussin, the exhibition ‘NOTHING’ showed how artists from the 196...
One and One and One is a group exhibition in two parts: One and One and One, CGP Gallery, London, Se...
Catalogue for a group exhibition co-curated by Garvey and Metcalfe. Garvey refers to the six artists...
exhibition essay 'Some Notes on Nothing, and the Silence of Works of Art.' Chisenhale Gallery, Lo...
A exhibition catalogue essay on the work of Artist Nicola Donovan.The essay was the result of a numb...
The Archive of Nothingness (AON) addresses the connections between art and graphic design; their pre...
This exhibition project investigates the various materials involved in artistic production through a...
Includes bibliographical references.This essay discusses the history and influences of my senior exh...
Peripheries are profoundly ambiguous regions. While trying to build a relationship with the center, ...
A group exhibition of four artists, curated by Edward Chell and shown during January 2016 with fundi...
This essay looks at the role of transatlanticism in the early work of the conceptual art collective ...