This article reconstructs the world of the Dutch amateur film around 1930; a dynamic period during which the amateur film gradually developed from being just one branch of photography (cinematography) to becoming an independent film discipline. On the basis of a series of articles about amateur film, published in the photography magazine 'Focus', we shed light on the changing creative processes and discourses of early amateur films and by extension the ‘making of’ early amateur filmmakers themselves. The series, which was written by a beginning amateur filmmaker on the threshold of the ‘Nederlandse Smalfilmliga’ [Dutch Amateur Film League] (1931) and the amateur film magazine 'Het Veerwerk' (1932), offers an interesting insider view of the ...
Item does not contain fulltextIn the United States, fan magazines formed an integral part of the fil...
De avant-gardecinema in de jaren '20 en '30, was de eerste echte filmbeweging in Europa. Deze bewegi...
De Witte (1934) by Jan Vanderheyden is commonly considered to be a milestone in the Flemish cinemati...
This article reconstructs the world of the Dutch amateur film around 1930; a dynamic period during w...
This article reconstructs the world of the Dutch amateur film around 1930; a dynamic period during w...
This article reconstructs the world of the Dutch amateur film around 1930; a dynamic period during w...
This article reconstructs the world of the Dutch amateur film around 1930; a dynamic period during w...
textabstractThis dissertation develops an appropriate model to interpret and understand the early st...
The article is devoted to the activities of Polish amateur filmmakers from the turn of the 19th and ...
Grote fabrikanten lanceerden begin vorige eeuw de filmcamera voor amateurs. In hun reclame verbonden...
This article considers the introduction of ‘the making of’ documentaries to the collection of the St...
In 1934, Benito Mussolini’s Fascist regime firmly intervened in the crisis of Italian cinema and th...
After the appearance of a portable Kodak cine camera in 1923, home moving making grew steadily in po...
Thunnis Van Oort explores the history of the film magazine in the context of the Dutch film industry...
Home Movie Day at Eye Filmmuseum is an international tribute to the amateur film. This year, Home Mo...
Item does not contain fulltextIn the United States, fan magazines formed an integral part of the fil...
De avant-gardecinema in de jaren '20 en '30, was de eerste echte filmbeweging in Europa. Deze bewegi...
De Witte (1934) by Jan Vanderheyden is commonly considered to be a milestone in the Flemish cinemati...
This article reconstructs the world of the Dutch amateur film around 1930; a dynamic period during w...
This article reconstructs the world of the Dutch amateur film around 1930; a dynamic period during w...
This article reconstructs the world of the Dutch amateur film around 1930; a dynamic period during w...
This article reconstructs the world of the Dutch amateur film around 1930; a dynamic period during w...
textabstractThis dissertation develops an appropriate model to interpret and understand the early st...
The article is devoted to the activities of Polish amateur filmmakers from the turn of the 19th and ...
Grote fabrikanten lanceerden begin vorige eeuw de filmcamera voor amateurs. In hun reclame verbonden...
This article considers the introduction of ‘the making of’ documentaries to the collection of the St...
In 1934, Benito Mussolini’s Fascist regime firmly intervened in the crisis of Italian cinema and th...
After the appearance of a portable Kodak cine camera in 1923, home moving making grew steadily in po...
Thunnis Van Oort explores the history of the film magazine in the context of the Dutch film industry...
Home Movie Day at Eye Filmmuseum is an international tribute to the amateur film. This year, Home Mo...
Item does not contain fulltextIn the United States, fan magazines formed an integral part of the fil...
De avant-gardecinema in de jaren '20 en '30, was de eerste echte filmbeweging in Europa. Deze bewegi...
De Witte (1934) by Jan Vanderheyden is commonly considered to be a milestone in the Flemish cinemati...