This paper means to examine a Chinese language blockbuster in comparison to an American counterpart. The point is to examine the cultural differences and similarities in two similar stories produced in two different production environments. Two films that display both remarkable similarities and differences due to their respective cultural context of production. Here David Bordwell’s narratological schematics is applied to investigate how a Chinese film using a similar approach to Hollywood storytelling differentiates itself. In conclusion, the storytelling and plot construction are slightly less sophisticated in the Chinese film, and the reliance on computer generated imagery plays a bigger part than the physical performances usually assoc...
Hong Kong has the world’s third largest film industry after Hollywood and Bollywood. For...
Film translation has experienced a long history in China. In 1949, the film Private Aleksandr Matros...
In China on Screen, Chris Berry and Mary Farquhar, leaders in the field of Chinese film studies, exp...
This paper means to examine a Chinese language blockbuster in comparison to an American counterpart....
Hybridization has become part of an ongoing trend in cultural production, with both the globalizatio...
This thesis begins with the question of how a more comprehensive comparative poetics of cinema might...
A tour de force chronicling the development of realism in Chinese cinema The history of Chinese cin...
Taking action cinema as an example, this paper outlines a historical approach to the transnational s...
This thesis begins with the question of how a more comprehensive comparative poetics of cinema might...
Under what conditions do culturally specific genres arise? How do imported (usually Hollywood) genre...
In this dissertation, by selecting four Hollywood films with Chinese and Asian people as objects, a ...
The concept of hybridization falls short of acknowledging structural inequalities, and has allegedly...
Since the 1960s, Hong Kong cinema has helped to shape one of the world’s most popular cultural genre...
This article begins with a review of the debate on cross-cultural analysis and the relationship betw...
This paper aims to analyze Chinese elements and their intercultural transmission in the film Mulan. ...
Hong Kong has the world’s third largest film industry after Hollywood and Bollywood. For...
Film translation has experienced a long history in China. In 1949, the film Private Aleksandr Matros...
In China on Screen, Chris Berry and Mary Farquhar, leaders in the field of Chinese film studies, exp...
This paper means to examine a Chinese language blockbuster in comparison to an American counterpart....
Hybridization has become part of an ongoing trend in cultural production, with both the globalizatio...
This thesis begins with the question of how a more comprehensive comparative poetics of cinema might...
A tour de force chronicling the development of realism in Chinese cinema The history of Chinese cin...
Taking action cinema as an example, this paper outlines a historical approach to the transnational s...
This thesis begins with the question of how a more comprehensive comparative poetics of cinema might...
Under what conditions do culturally specific genres arise? How do imported (usually Hollywood) genre...
In this dissertation, by selecting four Hollywood films with Chinese and Asian people as objects, a ...
The concept of hybridization falls short of acknowledging structural inequalities, and has allegedly...
Since the 1960s, Hong Kong cinema has helped to shape one of the world’s most popular cultural genre...
This article begins with a review of the debate on cross-cultural analysis and the relationship betw...
This paper aims to analyze Chinese elements and their intercultural transmission in the film Mulan. ...
Hong Kong has the world’s third largest film industry after Hollywood and Bollywood. For...
Film translation has experienced a long history in China. In 1949, the film Private Aleksandr Matros...
In China on Screen, Chris Berry and Mary Farquhar, leaders in the field of Chinese film studies, exp...