This text presents a semi-fictional interview between a theatre artist (Augusto Corrieri), a magician (Vincent Gambini), and a representative from an Edinburgh art studio and gallery (Rhubaba). They discuss how ‘theatre’ might be seen as an architectural apparatus, a kind of magic box that produces certain modes of perception, and how these can be exploited by artists and magicians. There is a first-hand account of the process that magicians undergo in order to train in sleight of hand, touching on questions of ‘authenticity’ in the act of performing, and finally a discussion around the issue of using pseudonyms as a way of giving oneself permission to to perform in ways one might never think desirable
Includes index.Publisher's advertisements, p. [1-6] at end.Cf. Toole-Stott, R. Conjuring, 481.Bound ...
The following is taken directly from the abstract: 'In my research project I examine some of the way...
When magicians perform spectacles that seem to defy the laws of nature, they do so by manipulating p...
In this opening 'provocation', magician and artist Augusto Corrieri reflects on the recent history o...
International audienceA doctoral seminar in interview techniques is compared to a Harry Potter-like ...
The purpose of the present investigation was to analyse interviews of highly regarded Finnish magici...
The Magician's Apparatus is an essay for the exhibition catalogue of The Collector's Room Exhibition...
The purpose of the present investigation was to analyse interviews of highly regarded Finnish magici...
Many Magics is an ‘informance’ that blurs the distinct between true biography and invented persona. ...
This paper advances the case for how performance magic can be used as a larger medium for communicat...
This paper examines wider issues of disenchantment in conventional magic performance practice, ultim...
Fake Magic, by Vincent Gambini (aka Augusto Corrieri) was an evening of theatrical conjuring. Fea...
Magic is about deception, it is also about lying. As Eugene Burger states; Magic is an art form tha...
Set in an autobiographical frame, this text describes the intensive process of training in sleight o...
The magic act is a performance best seen live, the skill of prestidigitation more difficult to deny ...
Includes index.Publisher's advertisements, p. [1-6] at end.Cf. Toole-Stott, R. Conjuring, 481.Bound ...
The following is taken directly from the abstract: 'In my research project I examine some of the way...
When magicians perform spectacles that seem to defy the laws of nature, they do so by manipulating p...
In this opening 'provocation', magician and artist Augusto Corrieri reflects on the recent history o...
International audienceA doctoral seminar in interview techniques is compared to a Harry Potter-like ...
The purpose of the present investigation was to analyse interviews of highly regarded Finnish magici...
The Magician's Apparatus is an essay for the exhibition catalogue of The Collector's Room Exhibition...
The purpose of the present investigation was to analyse interviews of highly regarded Finnish magici...
Many Magics is an ‘informance’ that blurs the distinct between true biography and invented persona. ...
This paper advances the case for how performance magic can be used as a larger medium for communicat...
This paper examines wider issues of disenchantment in conventional magic performance practice, ultim...
Fake Magic, by Vincent Gambini (aka Augusto Corrieri) was an evening of theatrical conjuring. Fea...
Magic is about deception, it is also about lying. As Eugene Burger states; Magic is an art form tha...
Set in an autobiographical frame, this text describes the intensive process of training in sleight o...
The magic act is a performance best seen live, the skill of prestidigitation more difficult to deny ...
Includes index.Publisher's advertisements, p. [1-6] at end.Cf. Toole-Stott, R. Conjuring, 481.Bound ...
The following is taken directly from the abstract: 'In my research project I examine some of the way...
When magicians perform spectacles that seem to defy the laws of nature, they do so by manipulating p...