Chu Tang shi ren bi xia de Chang'an

本論文題為「天子腳下:初唐詩人筆下的長安」，以三個方面展開論述。初唐由於詩歌存留較少，且多被視為酒宴歌席的應制詩。然而筆者嘗試從幾個前人從未剖析的角度切入，嘗試理解初唐詩歌中蘊涵的幾層意涵。第一個方面將觀察初唐君臣在建國之際，初盛唐交界處，君主與臣子在詩文中展現的憂患，面對過去的歷史抑或當下的建設充滿不安。筆者進而發現，從漢魏六朝開始，揚雄的歷史形象不斷出現，作為讀書人在不得志的時代的精神典範，其閉門讀書而著述有成的態度為後世所推崇，並在詩文中展現。過往我們對於讀書人與長安相互關係的討論較為單一化，多從追名逐利或建功立業的角度看待他們奔往長安的意圖，較少關注他們對於長安在轉變過程中的批評。筆者將從公共風景區與建築思想探討詩人足跡下的筆墨之跡。此處主要論述集中在筆者採集所得最多、最有意義的地點昆明池、樂遊原、曲江為考察對象，試圖找出記憶與地方之間的關係。昆明池，集合了詩人們對於神話的集體記憶。樂遊原上的酒宴歌席，成了中晚唐詩人懷念大唐繁盛的記憶。而曲江，更成了詩人們遊賞之地，為後來者一再詠懷。筆者嘗試從廟宇與宮殿觀察初唐人蘊含在詩歌中的建築思想。一棟又一棟的建築，是天子腳下的宮殿又或神聖的神殿，詩人們透過自身對於建築的吟詠，描寫了建築的細緻雕刻，隱約間也透露集體對於建築的想像及寄託。筆者將從大量的詩歌中歸納其中特質。本論文試圖從前人豐碩的唐代長安研究中，尋找一些被忽略的思想特質，並以此補充一般觀念上缺失忽略的，讀書人與長安的關係。The paper entitled "Under emperor’s feet: Chang An as Described by Poets of Early Tang Dynasty" will discuss the topic from three aspects. There are only very few early Tang poetry remained and they are mostly considered as banquet poetry. I will try to analyze them from several unprecedented angles and try to understand multiple implied meanings in the early Tang Poetry.The first aspect is from the sense of urgency as the starting point. By observing how the founding members of the Early Tang Dynasty expressing their worries, especially during the transition to the great era, we can see their anxieties when dealing with the past and also the development at that point of time. It then found that, from the beginning of the Six Dynasties, Yang Xiong’s historical image kept emerging as the scholars’ spiritual model during unsuccessful times. His focusing on reading and writing successfully won the respect of the future generations, and is demonstrated in poems. In the past, we tend to view the relationship between scholars and Chang An towards chasing the fame and making contributions, and less focus on their critics towards Chang An in the process of transition.In addition, I will discuss the poets’ writings as influenced by the public sceneries and architectural ideas. The third chapter discusses my most concentrated collection and significant place in Kunming pool, Le Youyuan, Qujiang as the studies subject, trying to figure out the relationship between memory and place. Kunming pool, a collection of poets to the myth of collective memory. Le Youyuan banquet song on the late Tang became nostalgic memories of prosperous Tang. The Qujiang, became poets touring place and was remembered by future generations.Finally, I try to observe from the architectural perspective of the temples and palaces, and see the architectural thinking embedded in poets’ writings. Buildings after buildings are under the emperor’s foot and these buildings consist of palaces and temples. Poets described the buildings in their own chants, and describing the meticulous carving of the buildings. This vaguely revealed the collective imagination and sustenance towards the buildings. I will summarized the characteristics from the huge amounts of poems.This dissertation attempts to find out some missing overlooked ideological character, about the relation between Tang’s poets and the Chang’an.Detailed summary in vernacular field only.Detailed summary in vernacular field only.Detailed summary in vernacular field only.Detailed summary in vernacular field only.Detailed summary in vernacular field only.高坤翠.Parallel title from added title page.Thesis (Ph.D.) Chinese University of Hong Kong, 2016.Includes bibliographical references (leaves 159-172).Abstracts also in Chinese.Gao Kuncui