Add to ORKGInternational audienceI wish to focus on the structure of the Trojan Women’s parodos and first episode in order to argue that it is strongly influenced by Euripides’ response to the Agamemnon and that this response consists both in turning Aeschylus’ use of myth and lyrics into spectacular drama and in undermining the religious and cosmic pattern of the Agamemnon. I will start by examining the complex dramatic structure of this first part of the Trojan Women, especially the striking changes in tone occurring while Cassandra is on stage. I will then reflect upon the conflict of authority thus created between Cassandra’s inspired voice and that of the suffering Hecub...
This study aims (1) to document and classify the materials and techniques of persuasive speech in E...
textEuripides’ Phoenissae is a challenging work that is often overlooked by scholars of Greek drama....
When Euripides wrote his final play, Iphigenia at Aulis, depicting the human sacrifice of Agamemnon’...
International audienceI wish to focus on the structure of the Trojan Women’s parodos and first episo...
The focus of this paper is on three different aspects of the first stasimon of Trojan Women. While t...
The thesis aims to offer a typology of the various ways in which tragic women conceptualize and perf...
This paper presents a metrical and dramatic analysis of the structure ‘monody-parodos’ in Euripides’...
International audienceI shall argue that in his Trojan Women, Euripides makes use of verbal, visual ...
Fontbonne Theatre Introduction Greek tragedy has been called a school of patriotism and Euripides wa...
The presence of double structures and mirror-scenes in Euripides’ Helen has generally been viewed by...
The purpose of this Independent Study is to examine the innovations of the Greek playwright Euripide...
Euripides ’ Phoenissae is a challenging work that is often overlooked by scholars of Greek drama. Th...
[About the book] Greek Drama IV: Texts, Context, Performance contains fourteen papers that compri...
Ancient Greek tragedy, a genre of plays written and performed by men, features many plays dominated ...
Beginning with the position that Aeschylus expresses in Agamemnon a conflict between the character ...
This study aims (1) to document and classify the materials and techniques of persuasive speech in E...
textEuripides’ Phoenissae is a challenging work that is often overlooked by scholars of Greek drama....
When Euripides wrote his final play, Iphigenia at Aulis, depicting the human sacrifice of Agamemnon’...
International audienceI wish to focus on the structure of the Trojan Women’s parodos and first episo...
The focus of this paper is on three different aspects of the first stasimon of Trojan Women. While t...
The thesis aims to offer a typology of the various ways in which tragic women conceptualize and perf...
This paper presents a metrical and dramatic analysis of the structure ‘monody-parodos’ in Euripides’...
International audienceI shall argue that in his Trojan Women, Euripides makes use of verbal, visual ...
Fontbonne Theatre Introduction Greek tragedy has been called a school of patriotism and Euripides wa...
The presence of double structures and mirror-scenes in Euripides’ Helen has generally been viewed by...
The purpose of this Independent Study is to examine the innovations of the Greek playwright Euripide...
Euripides ’ Phoenissae is a challenging work that is often overlooked by scholars of Greek drama. Th...
[About the book] Greek Drama IV: Texts, Context, Performance contains fourteen papers that compri...
Ancient Greek tragedy, a genre of plays written and performed by men, features many plays dominated ...
Beginning with the position that Aeschylus expresses in Agamemnon a conflict between the character ...
This study aims (1) to document and classify the materials and techniques of persuasive speech in E...
textEuripides’ Phoenissae is a challenging work that is often overlooked by scholars of Greek drama....
When Euripides wrote his final play, Iphigenia at Aulis, depicting the human sacrifice of Agamemnon’...