Phillipa Kafka\u27s clever book title turns on her deconstruction of what she sees as a simultaneous patriarchal and racist orientation of some contemporary literary criticism, akin to the unquestioned, naturalized supremacy presumed by agents of political imperialism such as missionaries. By focusing on what she sees as feminist and postfeminist writing by contemporary Asian American women authors -- specifically, their attention to gender asymmetry -- she demonstrates that we can read these works as a collective strike against the sexism of much (male) postcolonial, Marxist, and deconstructionist criticism and the racism of much (white) feminist criticism. Her readings of Amy Tan, Fae Myenne Ng, Gish Jen, R. A. Sasaki, and Cynthia Kadohat...
Alidou offers an important lesson for scholars who study Muslim women in contemporary Africa: gender...
Edited by Ellen C. DuBois and Vicki L. Ruiz, two respected historians, Unequal Sisters: A Multicultu...
Frank Chin, a Chinese American playwright and essayist has written, no one . . . was going to tell ...
In Woman, Native, Other, Trinh T. Minh-ha has taken on an ambitious task, which is to explain someth...
Sowing Ti Leaves gathers together personal narratives, poems, essays, and a scholarly study which we...
Review of a book focusing women active in Christian religious missionary work in Africa, Asia and Oc...
The House that Race Built is a fascinating account of race and racism upon the terrain of United Sta...
Rachel C. Lee acknowledges that understanding Asian American experiences merits the study of transgl...
Ever since western feminist scholarship was accused of defining gender in transhistorical and transc...
Political scientist Virginia Sapiro\u27s introductory-level women\u27s studies text is unusual in th...
Book Review:Book title:Women, Islam and Everyday Life: Renegotiating Polygamy in Indonesia Author:Ni...
IMAGES OF WOMEN IN FICTION: FEMINIST PERSPECTIVES, edited by Susan Koppelman Cornillon (Popular Pres...
In Coming Home and Other Stories, Farida Karodia, South African born author now residing in Canada, ...
Review of Rethinking Global Sisterhood: Western Feminism and Iran by Nima Naghib
Review of The Kaleidoscope of Gender: Prisms, Patterns, and Possibilities by Joan Z. Spade and Cathe...
Alidou offers an important lesson for scholars who study Muslim women in contemporary Africa: gender...
Edited by Ellen C. DuBois and Vicki L. Ruiz, two respected historians, Unequal Sisters: A Multicultu...
Frank Chin, a Chinese American playwright and essayist has written, no one . . . was going to tell ...
In Woman, Native, Other, Trinh T. Minh-ha has taken on an ambitious task, which is to explain someth...
Sowing Ti Leaves gathers together personal narratives, poems, essays, and a scholarly study which we...
Review of a book focusing women active in Christian religious missionary work in Africa, Asia and Oc...
The House that Race Built is a fascinating account of race and racism upon the terrain of United Sta...
Rachel C. Lee acknowledges that understanding Asian American experiences merits the study of transgl...
Ever since western feminist scholarship was accused of defining gender in transhistorical and transc...
Political scientist Virginia Sapiro\u27s introductory-level women\u27s studies text is unusual in th...
Book Review:Book title:Women, Islam and Everyday Life: Renegotiating Polygamy in Indonesia Author:Ni...
IMAGES OF WOMEN IN FICTION: FEMINIST PERSPECTIVES, edited by Susan Koppelman Cornillon (Popular Pres...
In Coming Home and Other Stories, Farida Karodia, South African born author now residing in Canada, ...
Review of Rethinking Global Sisterhood: Western Feminism and Iran by Nima Naghib
Review of The Kaleidoscope of Gender: Prisms, Patterns, and Possibilities by Joan Z. Spade and Cathe...
Alidou offers an important lesson for scholars who study Muslim women in contemporary Africa: gender...
Edited by Ellen C. DuBois and Vicki L. Ruiz, two respected historians, Unequal Sisters: A Multicultu...
Frank Chin, a Chinese American playwright and essayist has written, no one . . . was going to tell ...