This catalogue, named for the 1990 Southeastern Center for Contemporary Art (SCCA) exhibition in Winston-Salem, features not only many reproductions from the exhibition but also essays by artist/philosopher Adrian Piper and curator Lowery S. Sims, a panel featuring Richard Powell and Judith Wilson, and two group artist interviews. Also excerpted is a brief segment from a 1990 panel at SCCA which features Piper, Kinshasha Conwill, Coco Fusco, and Leslie King-Hammond. Both panel segments are of value, especially as they broadly contextualize the eighty-one pages of reproductions. Unfortunately, each of the written segments is quite brief, with Powell and Wilson\u27s discussion ending far too abruptly
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English Reviews two exhibitions of paintings by Beauford Delaney and Edvard Munch (Atlanta, High Mus...
This book represents a thoughtful critique of Eurocentric traditions of social and historical analys...
In 1925 Professor Alain Locke argued in The New Negro that the Negro was moving forward under the c...
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Richard Newman, who has previously published a number of bibliographies on various subjects in Afro-...
The House that Race Built is a fascinating account of race and racism upon the terrain of United Sta...
A review of the Adrian Piper: A Synthesis of Intuitions exhibition held at MoMA NYC, 27 March to 22 ...
These biographical profiles of well-known and not so well-known African Americans are presented from...
Lindsey R. Swindall’s The Path to the Greater, Freer, Truer World situates the social activism of th...
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Several authors have examined the rise and fall of West Coast jazz in the 1940s and 1950s, and a...
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