Pueblo Indian Folk-Stories is composed of forty-two stories (tales) that range from the teachings (and/or) exploits of Coyote to the adventures of the Wise Bear. These folk tales were collected and translated from Spanish to English, as well as interpreted by the late Charles F. Lummis. The original title of this book was Tile Mall Who Married the Moon, published in 1894 by Century Company New York. This Bison edition is a reprint of another version published in 1910 by Century Company New York; being expanded and retitled. It also has an informative, new introduction by Robert F. Gish. In it we get a historical view of the old pueblo cultures of the Southwest, especially Isleta. The older introduction mainly deals with Indian storytellers ...
A chapter or two into this extraordinarily well-documented and illustrated work on one of the more b...
Review of: "Twenty-five Years among the Indians and Buffalo: A Frontier Memoir", by William D. Stree...
Review of: "Indians and Emigrants: Encounters on the Overland Trails," by Michael L. Tate
This work adeptly weaves the documentary history of the Chilocco Indian Agricultural School of Oklah...
Review of: Wild West Shows and the Images of American Indians, 1883-1933. Moses, L. G
This book -- a major literary work by one of the more widely read early Native American authors, and...
The Freeing of the Deer is an unusual collection of southwest American Indian-Spanish lore. What mak...
This general history proposes to offer a Native American perspective on Indian-Anglo contact. Wilson...
Growing out of work for a major exhibition at the Canadian Museum of Civilization, where Morgan Bail...
Bertha P. Dutton has updated her 1975 publication titled Indians of the American Southwest and state...
Without Indians-or, rather, their imaginings of them-white Americans would hardly know how to define...
The reciting of oral traditions, or storytelling, is the oldest form of human literary achievement. ...
The American Indian Oral History Manual offers a clear, succinct, and practical approach to guide an...
Hollywood inherited conflicting myths of Native Americans: barbaric savages or Noble Savage. Influ...
Until very recently, Indian history existed in the doldrums of guilt and ethnocentric misunderstandi...
A chapter or two into this extraordinarily well-documented and illustrated work on one of the more b...
Review of: "Twenty-five Years among the Indians and Buffalo: A Frontier Memoir", by William D. Stree...
Review of: "Indians and Emigrants: Encounters on the Overland Trails," by Michael L. Tate
This work adeptly weaves the documentary history of the Chilocco Indian Agricultural School of Oklah...
Review of: Wild West Shows and the Images of American Indians, 1883-1933. Moses, L. G
This book -- a major literary work by one of the more widely read early Native American authors, and...
The Freeing of the Deer is an unusual collection of southwest American Indian-Spanish lore. What mak...
This general history proposes to offer a Native American perspective on Indian-Anglo contact. Wilson...
Growing out of work for a major exhibition at the Canadian Museum of Civilization, where Morgan Bail...
Bertha P. Dutton has updated her 1975 publication titled Indians of the American Southwest and state...
Without Indians-or, rather, their imaginings of them-white Americans would hardly know how to define...
The reciting of oral traditions, or storytelling, is the oldest form of human literary achievement. ...
The American Indian Oral History Manual offers a clear, succinct, and practical approach to guide an...
Hollywood inherited conflicting myths of Native Americans: barbaric savages or Noble Savage. Influ...
Until very recently, Indian history existed in the doldrums of guilt and ethnocentric misunderstandi...
A chapter or two into this extraordinarily well-documented and illustrated work on one of the more b...
Review of: "Twenty-five Years among the Indians and Buffalo: A Frontier Memoir", by William D. Stree...
Review of: "Indians and Emigrants: Encounters on the Overland Trails," by Michael L. Tate