John R. Cooley\u27s Savages and Naturals is a critical analysis of the ways in which modern American writers have depicted black characters. His thesis, briefly stated, is that in their fiction white American writers portray black Americans as primitives-as savages or as naturals. Savages are those who are perceived as intrinsically evil and who consequently represent a threat to civilized society. Naturals are those who are simple, essentially rustic folk (the term is only roughly synonymous to the traditional noble savage )
Scholars doing research in ethnic literature have long been aware of the political nature of much of...
In 1925 Professor Alain Locke argued in The New Negro that the Negro was moving forward under the c...
Review of: A Black Odyssey: John Lewis Waller and the Promise of American Life, 1878-1900. Woods, Ra...
The two professors of English at Nigerian universities who jointly prepared this small book did thre...
Few middle and upper class Americans, whether they are black or white, can fathom the extent of humi...
American literary scholarship in the mid-1980s generally seems to be insufficiently sophisticated to...
Attitudes towards specific racial minorities have been central to the history of the United States. ...
Hollywood inherited conflicting myths of Native Americans: barbaric savages or Noble Savage. Influ...
The seven carefully documented essays in literary criticism in this excellent short volume are possi...
The author examines the interrelations of race, ethnicity, and socioeconomic status through the pres...
Over the past decade or so, masculinity has become a subject of continuing critical and theoretical ...
Originally published in 1972 and re-issued in 1993, Violence in the Black Imagination was an early a...
The Minority Presence in American Literature: 1600-1900, volumes I and II, is the first publication ...
This scholarly study is a welcome effort to broaden the horizon of what many Americans have come to ...
Allen Woll and Randall Miller in Ethnic and Racial Images in American Film and Television have compi...
Scholars doing research in ethnic literature have long been aware of the political nature of much of...
In 1925 Professor Alain Locke argued in The New Negro that the Negro was moving forward under the c...
Review of: A Black Odyssey: John Lewis Waller and the Promise of American Life, 1878-1900. Woods, Ra...
The two professors of English at Nigerian universities who jointly prepared this small book did thre...
Few middle and upper class Americans, whether they are black or white, can fathom the extent of humi...
American literary scholarship in the mid-1980s generally seems to be insufficiently sophisticated to...
Attitudes towards specific racial minorities have been central to the history of the United States. ...
Hollywood inherited conflicting myths of Native Americans: barbaric savages or Noble Savage. Influ...
The seven carefully documented essays in literary criticism in this excellent short volume are possi...
The author examines the interrelations of race, ethnicity, and socioeconomic status through the pres...
Over the past decade or so, masculinity has become a subject of continuing critical and theoretical ...
Originally published in 1972 and re-issued in 1993, Violence in the Black Imagination was an early a...
The Minority Presence in American Literature: 1600-1900, volumes I and II, is the first publication ...
This scholarly study is a welcome effort to broaden the horizon of what many Americans have come to ...
Allen Woll and Randall Miller in Ethnic and Racial Images in American Film and Television have compi...
Scholars doing research in ethnic literature have long been aware of the political nature of much of...
In 1925 Professor Alain Locke argued in The New Negro that the Negro was moving forward under the c...
Review of: A Black Odyssey: John Lewis Waller and the Promise of American Life, 1878-1900. Woods, Ra...