Like much of her music, Miriam Makeba\u27s autobiography is both personal and political. As it details the story of a young girl\u27s coming of age and search for identity, it simultaneously records the history of a country struggling for independence. In the prologue, Makeba compares herself to a South African bird soaring above the horror of apartheid (aparthood) which was instituted in 1947. As she recounts the details of war and injustice in direct, understated, idiom-filled prose, and as she intertwines details of ancient customs with the realities of modern technology, Makeba suggests that music best expresses the tragic subject of the inner exile of the South African people
Dans les années soixante, Miriam Makeba, réfugiée politique d’Afrique du Sud vivant aux Etats-Unis, ...
Book review of Nanette de Jong's TambU: Curacaos African-Caribbean Ritual and the Politics of Memory...
This book is a recorded autobiography, but it is also much more. In the preface Blackman traces her ...
Beginning with the Portuguese greed for gold in the fifteenth century, African chattel slavery thriv...
Historical studies with regard to the history of African descendents have recently evinced new effor...
Jo Ann Robinson, a major organizer of the Montgomery bus boycott, offers a new and convincing accoun...
Maggie\u27s American Dream is a poignant story about the struggles and achievements of the Comer fam...
The history of the Americas, one first of imperialism, second of slavery, is one of which we are awa...
Paule Marshall\u27s Praisesong for the Widow is an account of maturation or, put another way, of a b...
One important theme attached to pop culture is the politics of representation and sub-cultural ident...
In Woman, Native, Other, Trinh T. Minh-ha has taken on an ambitious task, which is to explain someth...
In his introduction to Confirmation, Amiri Baraka points out that the anthology is not intended, in...
In recent years writings by black women outside of the US have gained acceptance, and many such work...
This review article explores the life and writing of Ghanaian novelist Amma Dark
This book by Charles Green and Basil Wilson is most informative. The authors, a sociologist and a po...
Dans les années soixante, Miriam Makeba, réfugiée politique d’Afrique du Sud vivant aux Etats-Unis, ...
Book review of Nanette de Jong's TambU: Curacaos African-Caribbean Ritual and the Politics of Memory...
This book is a recorded autobiography, but it is also much more. In the preface Blackman traces her ...
Beginning with the Portuguese greed for gold in the fifteenth century, African chattel slavery thriv...
Historical studies with regard to the history of African descendents have recently evinced new effor...
Jo Ann Robinson, a major organizer of the Montgomery bus boycott, offers a new and convincing accoun...
Maggie\u27s American Dream is a poignant story about the struggles and achievements of the Comer fam...
The history of the Americas, one first of imperialism, second of slavery, is one of which we are awa...
Paule Marshall\u27s Praisesong for the Widow is an account of maturation or, put another way, of a b...
One important theme attached to pop culture is the politics of representation and sub-cultural ident...
In Woman, Native, Other, Trinh T. Minh-ha has taken on an ambitious task, which is to explain someth...
In his introduction to Confirmation, Amiri Baraka points out that the anthology is not intended, in...
In recent years writings by black women outside of the US have gained acceptance, and many such work...
This review article explores the life and writing of Ghanaian novelist Amma Dark
This book by Charles Green and Basil Wilson is most informative. The authors, a sociologist and a po...
Dans les années soixante, Miriam Makeba, réfugiée politique d’Afrique du Sud vivant aux Etats-Unis, ...
Book review of Nanette de Jong's TambU: Curacaos African-Caribbean Ritual and the Politics of Memory...
This book is a recorded autobiography, but it is also much more. In the preface Blackman traces her ...