An exhibition at the Yale Peabody Museum of Natural History in New Haven, Connecticut, was held from November 1983 to May 1984. The exhibit focused on 200 years of the creative responses of Northwest Coast Indian artists to interactions with explorers, fur traders, missionaries, businessmen, tourists and ethnographers from a variety of cultures
Review of: Wild West Shows and the Images of American Indians, 1883-1933. Moses, L. G
The search for an untouched Native voice in American Indian autobiography, both experientially and...
During 1970 and 1973, University of Maryland professor of psychiatry Virginia Huffer spent some time...
Review of: Visions of the People: A Pictorial History of Plains Indian Life. Maurer, Evan M., ed
The Minneapolis Institute of Art opened an exhibit in the fall of 1992 titled Visions of the People:...
The Ancestors: Native Artisans of the Americas is an illustrated catalog produced for a 1979 exhibit...
In Joan Mark\u27s introduction to the Bison edition of this classic work, she offers a good analysis...
This publication-based on the award-winning reinterpretation and reinstallation in 2000 of the Plain...
Until very recently, Indian history existed in the doldrums of guilt and ethnocentric misunderstandi...
Native Faces is the catalogue to an exhibition of the same name presented at the Southwest Museum in...
The Tamarind Institute is a well-known and well-respected venue where contemporary artists collabora...
This classic volume on the image of the Indian in the American mind first appeared in 1953. Although...
Much has been written about the traditional social organization, art, and technology of the Northwes...
Patterns of Life, Patterns of Art presents the Native American Collection of Guido R. Rahr, a gift t...
The story of the Native peoples of the Great Plains--including the Arapaho, Cheyenne, Lakota, Shosho...
Review of: Wild West Shows and the Images of American Indians, 1883-1933. Moses, L. G
The search for an untouched Native voice in American Indian autobiography, both experientially and...
During 1970 and 1973, University of Maryland professor of psychiatry Virginia Huffer spent some time...
Review of: Visions of the People: A Pictorial History of Plains Indian Life. Maurer, Evan M., ed
The Minneapolis Institute of Art opened an exhibit in the fall of 1992 titled Visions of the People:...
The Ancestors: Native Artisans of the Americas is an illustrated catalog produced for a 1979 exhibit...
In Joan Mark\u27s introduction to the Bison edition of this classic work, she offers a good analysis...
This publication-based on the award-winning reinterpretation and reinstallation in 2000 of the Plain...
Until very recently, Indian history existed in the doldrums of guilt and ethnocentric misunderstandi...
Native Faces is the catalogue to an exhibition of the same name presented at the Southwest Museum in...
The Tamarind Institute is a well-known and well-respected venue where contemporary artists collabora...
This classic volume on the image of the Indian in the American mind first appeared in 1953. Although...
Much has been written about the traditional social organization, art, and technology of the Northwes...
Patterns of Life, Patterns of Art presents the Native American Collection of Guido R. Rahr, a gift t...
The story of the Native peoples of the Great Plains--including the Arapaho, Cheyenne, Lakota, Shosho...
Review of: Wild West Shows and the Images of American Indians, 1883-1933. Moses, L. G
The search for an untouched Native voice in American Indian autobiography, both experientially and...
During 1970 and 1973, University of Maryland professor of psychiatry Virginia Huffer spent some time...