The first volume of a trilogy by the Uruguayan writer Eduardo Galeano, Memory of Fire: Genesis has been called remarkable, fascinating, vivid, passionate, angry, celebratory, and triumphant. It could also be called a history of Latin America to 1700, though that gives little sense of its style or scope. In his introduction, the author describes himself as not a historian, but as a writer who would like to contribute to the kidnapped memory of all America, but above all of Latin America, that despised and beloved land. To do this he has created a great mosaic of stories, most of them less than a page long
How do we ever own our history? How do we ever come to grips with our fairy tales of that history? H...
Modem Latin American Literature (D. P. Gallagher) (Reviewed by Adriana Garciá de Aldridge, The City ...
Mayombe: A Novel of the Angolan Struggle, by Pepetela, is a story of a guerrilla base in 1971. The w...
Published in 1973, in the wake of the Cuban Revolution and growing economic nationalism, The Open Ve...
The editor indicated in his foreword that he had several purposes for collecting and assembling the ...
Uruguayan writer and journalist, Eduardo Galeano is here remembered for his passionate belief in the...
The marvelous narrative ability of Carlos Fuentes has already been discovered by the many readers of...
Review of: Alberto Méndez. Los girasoles ciegos. Barcelona: Anagrama, 2004. 160 pp
Américo Paredes is a figure quite familiar to anyone who has delved even lightly and briefly into Ch...
Contra El Viento (Against the Wind) is an autobiography that reads like a novel. This biographical n...
n this year of the quincentennial, Seeds of Change should be read by scholars, teachers, and student...
The major weakness of this text is that it is a reprint of a 1979 special edition of Revista Chicano...
Este libro parte del presupuesto de que, en la novela Todas las sangres de José María Arguedas,exist...
In the last few years the New Mexican Chicano narrative has taken a significant place within Chicano...
Although Nash Candelaria has published quite a few short stories, it is in the field of the novel wh...
How do we ever own our history? How do we ever come to grips with our fairy tales of that history? H...
Modem Latin American Literature (D. P. Gallagher) (Reviewed by Adriana Garciá de Aldridge, The City ...
Mayombe: A Novel of the Angolan Struggle, by Pepetela, is a story of a guerrilla base in 1971. The w...
Published in 1973, in the wake of the Cuban Revolution and growing economic nationalism, The Open Ve...
The editor indicated in his foreword that he had several purposes for collecting and assembling the ...
Uruguayan writer and journalist, Eduardo Galeano is here remembered for his passionate belief in the...
The marvelous narrative ability of Carlos Fuentes has already been discovered by the many readers of...
Review of: Alberto Méndez. Los girasoles ciegos. Barcelona: Anagrama, 2004. 160 pp
Américo Paredes is a figure quite familiar to anyone who has delved even lightly and briefly into Ch...
Contra El Viento (Against the Wind) is an autobiography that reads like a novel. This biographical n...
n this year of the quincentennial, Seeds of Change should be read by scholars, teachers, and student...
The major weakness of this text is that it is a reprint of a 1979 special edition of Revista Chicano...
Este libro parte del presupuesto de que, en la novela Todas las sangres de José María Arguedas,exist...
In the last few years the New Mexican Chicano narrative has taken a significant place within Chicano...
Although Nash Candelaria has published quite a few short stories, it is in the field of the novel wh...
How do we ever own our history? How do we ever come to grips with our fairy tales of that history? H...
Modem Latin American Literature (D. P. Gallagher) (Reviewed by Adriana Garciá de Aldridge, The City ...
Mayombe: A Novel of the Angolan Struggle, by Pepetela, is a story of a guerrilla base in 1971. The w...