Castrato singers appeared in the Western World during the 16th century. They were needed by the Church for reasons that we shall discuss, and their skills were such that opera composers also decided to use them. This created a major demand for their services. Castrati reigned supreme at the Opera until the mid-19th century and continued to sing in Italian churches until 1913. The last one died in Rome in 1922. The paper shows that economic incentives played a key role in explaining the rise and fall of this remarkable group of singers.info:eu-repo/semantics/publishe
Color poster with text and images.In the 17th and 18th centuries, an operatic tradition began that s...
It has acquired the status of a myth: how Italy, land of song, in a process beginning sometime in th...
The castrati--Italian men castrated before puberty in order to retain their high singing voice--were...
textCastrati were without doubt, an extraordinary phenomenon in the vocal world. Four centuries of h...
The act of castration was practiced from ancient times. In countries of Middle and Far East, castrat...
This article looks at aspects of the tenor voice from the last quarter of the 18th century to the se...
The wealth of recent scholarship concerning women singers in late Renaissance Italy has assigned to ...
One of the greatest mysteries in the history of music is the castrato singers of the Baroque era. C...
The golden days of vocal castrati lasted from c. 1650 -1750, when opera buffa, reform opera, and Enl...
While the Italian musician may have been an object of study for nineteenth-century medical sciences,...
The figure of the castrato has always been considered in a middle position between male and female g...
A paper for Music Literature and History 244: Music of the Romantic and Modern Eras, Spring 2008. Se...
The castrato voice is lost to modern ears, but was a significant and influential phenomenon in musi...
The article is devoted to the development and formation of the Italian vocal schools in the era of t...
This thesis seeks to explore the socio-historical factors that enabled the castrato phenomenon to th...
Color poster with text and images.In the 17th and 18th centuries, an operatic tradition began that s...
It has acquired the status of a myth: how Italy, land of song, in a process beginning sometime in th...
The castrati--Italian men castrated before puberty in order to retain their high singing voice--were...
textCastrati were without doubt, an extraordinary phenomenon in the vocal world. Four centuries of h...
The act of castration was practiced from ancient times. In countries of Middle and Far East, castrat...
This article looks at aspects of the tenor voice from the last quarter of the 18th century to the se...
The wealth of recent scholarship concerning women singers in late Renaissance Italy has assigned to ...
One of the greatest mysteries in the history of music is the castrato singers of the Baroque era. C...
The golden days of vocal castrati lasted from c. 1650 -1750, when opera buffa, reform opera, and Enl...
While the Italian musician may have been an object of study for nineteenth-century medical sciences,...
The figure of the castrato has always been considered in a middle position between male and female g...
A paper for Music Literature and History 244: Music of the Romantic and Modern Eras, Spring 2008. Se...
The castrato voice is lost to modern ears, but was a significant and influential phenomenon in musi...
The article is devoted to the development and formation of the Italian vocal schools in the era of t...
This thesis seeks to explore the socio-historical factors that enabled the castrato phenomenon to th...
Color poster with text and images.In the 17th and 18th centuries, an operatic tradition began that s...
It has acquired the status of a myth: how Italy, land of song, in a process beginning sometime in th...
The castrati--Italian men castrated before puberty in order to retain their high singing voice--were...