Confronted with the slippery medium of film, in the form of inaccessible 16mm, Super 8 or fuzzy VHS tapes and the limitations of time, an index that supplies more questions than answers and an archivist whose methodology demands a ring-fencing of research to geographical or temporal articulation – What will the archive give up? What will I take away with me? What will this produce? To speak of archival practices is to acknowledge the role of contingency and indeterminacy within the structuring of archives and the meaning or value placed on the archival object. This presentation will focus on my personal encounters with the archival, both specific and in principle. Key Note: Misplaced Commas and Cannibalistic Tendencies, in Sympos...
This article focuses on the images used over four decades to represent the Cambodian genocide in pho...
Those working on or with colonial archives and collections face a number of challenges arising from ...
Ce texte a été présenté à la table ronde « Contested Footage: Snuff, Disease, the Avant-Garde, and t...
Symposium : Reframing the Archive: The Reuse of Film and Photographic Images in Postcolonial Southea...
The presentation revolves around two connected works: Come Cannibalize Us, Why Don’t You? and Apa Ji...
This article shows how creative approaches can contribute to a productive engagement with losses in ...
In recent years, there has been a marked increase in the number of theoretical studies exploring soc...
As a harrowing sub-discipline of English and Comparative Literature, Trauma Studies is in need of ge...
The filmic appropriation of archival imagery has become pivotal within the new archival economy of m...
Colonial archives have historically been centralised and exclusive in spatial as well as ideological...
Produced as an extension to the exhibition ‘Come Cannibalise Us, Why Don’t You? Sila Mengkanibalkan ...
"The e-publication Decolonising Archives aims to show how archives bear testimony to what was, even ...
Archive footage and photographs are an essential element of any historical film but the conditions o...
This article analyses a range of discourses articulated around the figure of the film archive betwee...
This paper contrasts the handling, provenance, and application of the Ba’ath Party Archives with tha...
This article focuses on the images used over four decades to represent the Cambodian genocide in pho...
Those working on or with colonial archives and collections face a number of challenges arising from ...
Ce texte a été présenté à la table ronde « Contested Footage: Snuff, Disease, the Avant-Garde, and t...
Symposium : Reframing the Archive: The Reuse of Film and Photographic Images in Postcolonial Southea...
The presentation revolves around two connected works: Come Cannibalize Us, Why Don’t You? and Apa Ji...
This article shows how creative approaches can contribute to a productive engagement with losses in ...
In recent years, there has been a marked increase in the number of theoretical studies exploring soc...
As a harrowing sub-discipline of English and Comparative Literature, Trauma Studies is in need of ge...
The filmic appropriation of archival imagery has become pivotal within the new archival economy of m...
Colonial archives have historically been centralised and exclusive in spatial as well as ideological...
Produced as an extension to the exhibition ‘Come Cannibalise Us, Why Don’t You? Sila Mengkanibalkan ...
"The e-publication Decolonising Archives aims to show how archives bear testimony to what was, even ...
Archive footage and photographs are an essential element of any historical film but the conditions o...
This article analyses a range of discourses articulated around the figure of the film archive betwee...
This paper contrasts the handling, provenance, and application of the Ba’ath Party Archives with tha...
This article focuses on the images used over four decades to represent the Cambodian genocide in pho...
Those working on or with colonial archives and collections face a number of challenges arising from ...
Ce texte a été présenté à la table ronde « Contested Footage: Snuff, Disease, the Avant-Garde, and t...