This two person exhibition with the American Artist Gar Waterman sought to reflect how art and science inspire and expand wider conversations about the living world. Reflecting on where the observational skills of the artist and scientist intersect, the exhibition featured twelve large format hand coloured electron micrographs of seeds and pollen by Kesseler which in part were the inspiration for a collection of marble and exotic stone sculptures by Waterman
Illustrating the natural world has always been a human activity that is represented within caves, in...
The project investigates the role of artwork as a medium with the potential to stimulate environment...
For centuries Nature has represented an inspiration in fields and disciplines, ranging from those re...
From prehistoric times to the Renaissance, there was little distinction drawn between art and scienc...
Scientific and technological developments triggered creative thinking and the emergence of innovativ...
The relationship with nature through art has been explored as a two fold bond. The first considers a...
Apresentação efetuada na "4th International Conference on Science Matters “Humanities as Science Mat...
I was invited to take part in this exhibition by Professor Roger Wilson, Head of the School of Fine ...
The current issue of “DISEGNARECON” collects examples of works, researches and experiments able to t...
This study examines specific visual systems of representing vegetation in western science. Through d...
The works in this exhibition are representative of my feelings and thoughts about nature. The subjec...
The current issue of “DISEGNARECON” collects examples of works, researches and experiments able to t...
The term bio art has emerged in the past few years to cover the kind of art that seems to come from ...
Paper presented to the 8th Annual Symposium on Graduate Research and Scholarly Projects (GRASP) held...
Funded by the Natural History Museum, the Calouste Gulbenkian Foundation, the AHRC and London Arts, ...
Illustrating the natural world has always been a human activity that is represented within caves, in...
The project investigates the role of artwork as a medium with the potential to stimulate environment...
For centuries Nature has represented an inspiration in fields and disciplines, ranging from those re...
From prehistoric times to the Renaissance, there was little distinction drawn between art and scienc...
Scientific and technological developments triggered creative thinking and the emergence of innovativ...
The relationship with nature through art has been explored as a two fold bond. The first considers a...
Apresentação efetuada na "4th International Conference on Science Matters “Humanities as Science Mat...
I was invited to take part in this exhibition by Professor Roger Wilson, Head of the School of Fine ...
The current issue of “DISEGNARECON” collects examples of works, researches and experiments able to t...
This study examines specific visual systems of representing vegetation in western science. Through d...
The works in this exhibition are representative of my feelings and thoughts about nature. The subjec...
The current issue of “DISEGNARECON” collects examples of works, researches and experiments able to t...
The term bio art has emerged in the past few years to cover the kind of art that seems to come from ...
Paper presented to the 8th Annual Symposium on Graduate Research and Scholarly Projects (GRASP) held...
Funded by the Natural History Museum, the Calouste Gulbenkian Foundation, the AHRC and London Arts, ...
Illustrating the natural world has always been a human activity that is represented within caves, in...
The project investigates the role of artwork as a medium with the potential to stimulate environment...
For centuries Nature has represented an inspiration in fields and disciplines, ranging from those re...