An Anecdoted Archive of Exhibition Lives What are the lives of exhibitions? Are they microcosms of the worlds we live in? The sum of the works exhibited? The traces of the research done for them? The great issues they can point to? ‘An Anecdoted Archive' proposes that exhibitions can be measured by the impact they have had on viewers' consciousness. They can be articulated through what viewers thought they saw, what they felt, what distant worlds were hinted at and what was revealed about their immediate environments. Some exhibitions take place in institutions (museums and galleries) and others are institutions themselves (biennials and international fairs). They gain an independent life when they exceed beyond the institu...
Famously, Jean-François Lyotard claimed the exhibition visitor to be ‘a body in movement’ whose traj...
Comprend des références bibliographiques (pages 85-87).Some remarks on: an introduction -- Some rema...
This is the final version. Available on open access from Taylor & Francis via the DOI in this record...
Do exhibitions fall into amnesia because they are not collected by museums? Is it true that exhibiti...
It is quite clear that exhibitions have evolved in an unprecedented way in the latter half of the 20...
Biographical exhibitions are a museum practice that asks for critical consideration. Grounding the a...
Why are histories of exhibitions, rather than histories of art, of particular importance for new med...
Biographical exhibitions are a museum practice that asks for critical consideration. Grounding the a...
How can traditional exhibit spaces, such as art museums or botanical gardens, leverage various media...
The paper reflects why past exhibitions should be documented virtually. It states that exhibitions a...
In this PhD thesis, I analyse the different ways in which museums incorporate experiences and knowle...
Thesis (Ph. D.)--University of Rochester. Program in Visual and Cultural Studies, 2012.In the twenty...
Part of topic : Ambiantal experiences and experimentsInternational audienceAssuming that the sharing...
It has been over 200 years that the term “exhibition” (roughly in the meaning in which we use it tod...
This essay aims at contributing to our understanding of the nature of exhibitions, namely how and wh...
Famously, Jean-François Lyotard claimed the exhibition visitor to be ‘a body in movement’ whose traj...
Comprend des références bibliographiques (pages 85-87).Some remarks on: an introduction -- Some rema...
This is the final version. Available on open access from Taylor & Francis via the DOI in this record...
Do exhibitions fall into amnesia because they are not collected by museums? Is it true that exhibiti...
It is quite clear that exhibitions have evolved in an unprecedented way in the latter half of the 20...
Biographical exhibitions are a museum practice that asks for critical consideration. Grounding the a...
Why are histories of exhibitions, rather than histories of art, of particular importance for new med...
Biographical exhibitions are a museum practice that asks for critical consideration. Grounding the a...
How can traditional exhibit spaces, such as art museums or botanical gardens, leverage various media...
The paper reflects why past exhibitions should be documented virtually. It states that exhibitions a...
In this PhD thesis, I analyse the different ways in which museums incorporate experiences and knowle...
Thesis (Ph. D.)--University of Rochester. Program in Visual and Cultural Studies, 2012.In the twenty...
Part of topic : Ambiantal experiences and experimentsInternational audienceAssuming that the sharing...
It has been over 200 years that the term “exhibition” (roughly in the meaning in which we use it tod...
This essay aims at contributing to our understanding of the nature of exhibitions, namely how and wh...
Famously, Jean-François Lyotard claimed the exhibition visitor to be ‘a body in movement’ whose traj...
Comprend des références bibliographiques (pages 85-87).Some remarks on: an introduction -- Some rema...
This is the final version. Available on open access from Taylor & Francis via the DOI in this record...