Add to ORKGThis essay explores the use of atomic imagery in natural history films as presented in the United States on The Discovery Channel. Using the methods of nuclear criticism, the article builds a case study of the apocalyptic and militarist metaphors employed by an episode of PaleoWorld devoted to the Stegosaurus and then broadens the scope toward more popular animal filmmaking, in particular, “blue chip” wildlife films such as Lion Battlefield
Working with the nuclear economy and nuclear aesthetics is a complex ethical process, one that twist...
This thesis contains the historiography of nuclear age, from the first atomic bombs through the use ...
The purpose of this paper is to explore how British documentaries on nuclear power offer insight int...
Those looking to judge the historical wrongs of American nuclear testing often discover an overwhelm...
This paper, originally written for Dr. Adamus Liotta in an honors chemistry class, explores the poss...
This article charts a media historical relation between radiation and celluloid film, ranging from t...
How have nuclear issues been covered in documentary since the end of the Cold War? This original new...
The following is a narrative, which explores the age of nuclear enlightenment—or the Atomic Age—and ...
In one of his books on Gaia, James Lovelock argued that the best way to protect the rain forests of ...
Lynch’s essay explores the divergence between the symbolic imaginary of nuclear power and the imagin...
Within the visual culture of the nuclear age, a very few sequences of film now stand as the core Ame...
“Marvin the Martian, Godzilla, and other Purveyors of Atomic Destruction” examines the cultural impa...
The dissertation identifies a new film genre forged in the cold war era, called atomic cinema. Genre...
This doctoral thesis presents an analysis of how audiovisual media participates in US extraterritori...
Produced and directed by Kevin Rafferty, Jayne Loader and Pierce Rafferty, the influential film comp...
Working with the nuclear economy and nuclear aesthetics is a complex ethical process, one that twist...
This thesis contains the historiography of nuclear age, from the first atomic bombs through the use ...
The purpose of this paper is to explore how British documentaries on nuclear power offer insight int...
Those looking to judge the historical wrongs of American nuclear testing often discover an overwhelm...
This paper, originally written for Dr. Adamus Liotta in an honors chemistry class, explores the poss...
This article charts a media historical relation between radiation and celluloid film, ranging from t...
How have nuclear issues been covered in documentary since the end of the Cold War? This original new...
The following is a narrative, which explores the age of nuclear enlightenment—or the Atomic Age—and ...
In one of his books on Gaia, James Lovelock argued that the best way to protect the rain forests of ...
Lynch’s essay explores the divergence between the symbolic imaginary of nuclear power and the imagin...
Within the visual culture of the nuclear age, a very few sequences of film now stand as the core Ame...
“Marvin the Martian, Godzilla, and other Purveyors of Atomic Destruction” examines the cultural impa...
The dissertation identifies a new film genre forged in the cold war era, called atomic cinema. Genre...
This doctoral thesis presents an analysis of how audiovisual media participates in US extraterritori...
Produced and directed by Kevin Rafferty, Jayne Loader and Pierce Rafferty, the influential film comp...
Working with the nuclear economy and nuclear aesthetics is a complex ethical process, one that twist...
This thesis contains the historiography of nuclear age, from the first atomic bombs through the use ...
The purpose of this paper is to explore how British documentaries on nuclear power offer insight int...