Add to ORKGThis article is in four parts. First, I discuss the emerging worldwide phenomenon of commercial cinema screenings of live stage performances. Second, I chart some attempts by Australia's major performing arts organisations to do likewise. Third, I examine more closely one simultaneous satellite relay screening to nine regional cities: a performance of a Queensland Theatre Company (QTC) production of Tom Wright's Black Diggers, directed by Wesley Enoch, on Wednesday 8 October 2014. Finally, I attempt some brief thoughts on where this new area of work could be heading
This chapter considers the thriving practice of screening live theatre performances in cinemas with ...
Since 2008, the Royal National Theatre has been beaming several plays per year into cinemas across t...
In September 2014, Miracle Theatre performed “the Tempest” simultaneously at two different locations...
Around three decades ago, multi-screen complexes began to transform the business and culture of cine...
The UK has in recent years undergone a digital revolution. New technologies such as digital TV, musi...
The full length video of the presentation can be viewed at https://vimeo.com/348709117 (or click the...
Theatre, opera, and dance all call for distinct performance and viewing practices, but when they are...
The live streaming of theatrical performances to cinemas has become increasingly common in recent ye...
The purpose of this dissertation is to investigate how livecasting - the use of cinemas to display a...
This article analyses how digitisation and screen policy reform altered the production of domestic d...
Throughout the 1990s digital technology entered film production and rapidly altered both the product...
Australia is a large, sparsely populated continent, which poses unique challenges to performance com...
The phenomenon of 'livecasting' – that is, the broadcasting of live performances such as theatre and...
Screen industries around the globe are evolving. While technological change has been slower to take ...
This article investigates the role of audience test screenings as a tool for anticipating and interp...
This chapter considers the thriving practice of screening live theatre performances in cinemas with ...
Since 2008, the Royal National Theatre has been beaming several plays per year into cinemas across t...
In September 2014, Miracle Theatre performed “the Tempest” simultaneously at two different locations...
Around three decades ago, multi-screen complexes began to transform the business and culture of cine...
The UK has in recent years undergone a digital revolution. New technologies such as digital TV, musi...
The full length video of the presentation can be viewed at https://vimeo.com/348709117 (or click the...
Theatre, opera, and dance all call for distinct performance and viewing practices, but when they are...
The live streaming of theatrical performances to cinemas has become increasingly common in recent ye...
The purpose of this dissertation is to investigate how livecasting - the use of cinemas to display a...
This article analyses how digitisation and screen policy reform altered the production of domestic d...
Throughout the 1990s digital technology entered film production and rapidly altered both the product...
Australia is a large, sparsely populated continent, which poses unique challenges to performance com...
The phenomenon of 'livecasting' – that is, the broadcasting of live performances such as theatre and...
Screen industries around the globe are evolving. While technological change has been slower to take ...
This article investigates the role of audience test screenings as a tool for anticipating and interp...
This chapter considers the thriving practice of screening live theatre performances in cinemas with ...
Since 2008, the Royal National Theatre has been beaming several plays per year into cinemas across t...
In September 2014, Miracle Theatre performed “the Tempest” simultaneously at two different locations...