Over recent years leading independent television production companies in the UK and internationally have become prime targets for corporate activity and many have been subject to takeover, often by US media groups. Why is it that nurturing the development of television production companies which achieve scale but, at the same time, remain independent appears to be so challenging? This article considers which factors are crucial to the success of television production businesses and argues that, aside from the ability to make compelling content, two key variables which strongly affect commercial success and sustainability in this sector are, first, effective management and exploitation of intellect property rights (IPRs) and, second, scale...
Windowing – the process of managing the release sequence for content so as to maximise the returns f...
Background: The German TV production industry is characterised by a structural imbalance due to a st...
This paper analyses research evidence about the creative environments in the UK television productio...
This data collection consists of two distinct but complementary databases: Database 1, pertaining to...
Recent technological and market changes in the television industry appear to have transformed the co...
Television production is a vital component of the media and a sector whose performance has important...
Television production is recognised as one of Britain’s key creative export sectors. But the sector ...
Focusing on the growing power of transnational media corporations in an increasingly globalized envi...
This paper explores the impact that consolidation has had on the UK’s Independent Television Product...
The rise of digital platforms has transformative implications for strategies of financing media prod...
This article focuses on the production of transnational TV formats, and argues that a new business m...
Windowing – the process of managing the release sequence for content so as to maximise the returns ...
This article analyses the role of intermediaries in the evolution of the UK TV production sector tra...
This essay focuses on the operation of the UK independent television production sector in the contex...
This article builds on a legal institutionalist approach to assess market-based regulatory change in...
Windowing – the process of managing the release sequence for content so as to maximise the returns f...
Background: The German TV production industry is characterised by a structural imbalance due to a st...
This paper analyses research evidence about the creative environments in the UK television productio...
This data collection consists of two distinct but complementary databases: Database 1, pertaining to...
Recent technological and market changes in the television industry appear to have transformed the co...
Television production is a vital component of the media and a sector whose performance has important...
Television production is recognised as one of Britain’s key creative export sectors. But the sector ...
Focusing on the growing power of transnational media corporations in an increasingly globalized envi...
This paper explores the impact that consolidation has had on the UK’s Independent Television Product...
The rise of digital platforms has transformative implications for strategies of financing media prod...
This article focuses on the production of transnational TV formats, and argues that a new business m...
Windowing – the process of managing the release sequence for content so as to maximise the returns ...
This article analyses the role of intermediaries in the evolution of the UK TV production sector tra...
This essay focuses on the operation of the UK independent television production sector in the contex...
This article builds on a legal institutionalist approach to assess market-based regulatory change in...
Windowing – the process of managing the release sequence for content so as to maximise the returns f...
Background: The German TV production industry is characterised by a structural imbalance due to a st...
This paper analyses research evidence about the creative environments in the UK television productio...