During 2015 and early 2016, the cultural application of Com- putational Creativity research and practice took a big leap for- ward, with a project where multiple computational systems were used to provide advice and material for a new musical theatre production. Billed as the world’s first ‘computer mu- sical ... conceived by computer and substantially crafted by computer’, Beyond The Fence was staged in the Arts Theatre in London’s West End during February and March of 2016. Various computational approaches to analytical and genera- tive sub-projects were used to bring about the musical, and these efforts were recorded in two 1-hour documentary films made by Wingspan Productions, which were aired on Sky Arts under the title Computer Says S...
We present Cinejack, a system for directing narrative video through live musical performance. Cineja...
For theatre sound design, detailed planning of networked hardware and software affords a sound desig...
This dissertation investigates the engagement between American theatre and sound reproduction techno...
During 2015 and early 2016, the cultural application of Computational Creativity research and practi...
Beyond the Fence is a commercial project, undertaken for a television documentary, that has produced...
A significant test for software is when it is tasked with replicating human performance, as was the ...
This paper will reflect on several practice-based investigations that examined the transformational ...
Traditionally, theatre has consisted of performers on a stage telling a story to an audience against...
Algorithmic composition methods must prove themselves within real-world musical contexts to more fi...
Presented at INTETAIN 2014, 6th International Conference on Intelligent Technologies for Interactive...
In a series of essays assembled under the heading ‘Directing Cyber Theatre’, Salihbegovic is offerin...
Collaborative Noises: Theatre and Music Technology in Practice (2013-2016) This three-year resear...
This paper describes an AI system, Autopia, designed to participate in collaborative live coding mus...
Presented on February 28, 2013 in the DramaTech Theater.Runtime: 16:07 minutes.This talk will focus ...
PhD Theses.Radio Drama is a theatrical form of art that usually exists solely in the acoustic domain...
We present Cinejack, a system for directing narrative video through live musical performance. Cineja...
For theatre sound design, detailed planning of networked hardware and software affords a sound desig...
This dissertation investigates the engagement between American theatre and sound reproduction techno...
During 2015 and early 2016, the cultural application of Computational Creativity research and practi...
Beyond the Fence is a commercial project, undertaken for a television documentary, that has produced...
A significant test for software is when it is tasked with replicating human performance, as was the ...
This paper will reflect on several practice-based investigations that examined the transformational ...
Traditionally, theatre has consisted of performers on a stage telling a story to an audience against...
Algorithmic composition methods must prove themselves within real-world musical contexts to more fi...
Presented at INTETAIN 2014, 6th International Conference on Intelligent Technologies for Interactive...
In a series of essays assembled under the heading ‘Directing Cyber Theatre’, Salihbegovic is offerin...
Collaborative Noises: Theatre and Music Technology in Practice (2013-2016) This three-year resear...
This paper describes an AI system, Autopia, designed to participate in collaborative live coding mus...
Presented on February 28, 2013 in the DramaTech Theater.Runtime: 16:07 minutes.This talk will focus ...
PhD Theses.Radio Drama is a theatrical form of art that usually exists solely in the acoustic domain...
We present Cinejack, a system for directing narrative video through live musical performance. Cineja...
For theatre sound design, detailed planning of networked hardware and software affords a sound desig...
This dissertation investigates the engagement between American theatre and sound reproduction techno...